Repertoire

136th U.S.A. Field Artillery March by Henry Fillmore edited by Robert E. Foster	Performed at: spring 2013 concert
El Abanico Paso Doble by A. Javaloyes and J. Ord Hume edited by Harold R. Gore	Performed at: summer 2014 concerts summer 2010 concerts summer 2007 concerts summer 2005 concerts
Abbey Road: A Symphonic Portrait arranged by Ira Hearshen	Performed at: summer 2011 concerts spring 2011 concert
Abram's Pursuit by David R. Holsinger (ASCAP)	Performed at: winter 2004 concert
The Acrobats March by David Reed	Performed at: winter 2020 concert summer 2009 concerts winter 2009 concert
El Aguila De Oro The Golden Eagle by Jack Bullock	Performed at: summer 2013 concerts summer 2010 concerts summer 2009 concerts summer 2005 concerts summer 1998 concerts
Air Mobility Command March by Mark Camphouse	Performed at: summer 2009 concerts spring 2009 concert
Selections from Aladdin arranged by John Moss	Performed at: summer 2005 concerts summer 2005 concerts winter 2005 concert summer 1997 concerts
Aladdin arranged by Paul Jennings	Performed at: summer 2017 concerts summer 2012 concerts
Alla Barocco (Folk-Rock) by Caesar Giovannini scored for band by Wayne Robinson	Performed at: summer 2012 concerts
Allegheny Portrait by Claude T. Smith (ASCAP)	Performed at: summer 2012 concerts summer 2000 concerts
Allegro-Ballad-Allegro by R.D. Wilber	Performed at: summer 2013 concerts winter 2013 concert
Alte Kameraden Marsch by Carl Teike arranged by T. Mito	Performed at: summer 2016 concerts summer 2012 concerts summer 2005 concerts summer 2000 concerts
Amazing Grace (for concert band) by Frank Ticheli	Performed at: summer 2014 concerts winter 2014 concert summer 2004 concerts spring 2004 concert
America the Beautiful by Samuel Augustus Ward arranged for band by Carmen Dragon	Performed at: summer 2013 concerts summer 2012 concerts summer 2007 concerts summer 2006 concerts summer 2001 concerts summer 1997 concerts
America the Beautiful by Claude T. Smith (ASCAP)	Performed at: summer 2009 concerts
America On Parade adapted and arranged by John Cacavas	Performed at: summer 2004 concerts
America Variations arranged by Jerry Brubaker	Performed at: summer 2004 concerts
American Barndance by Richard L. Saucedo	Performed at: summer 2010 concerts winter 2010 concert
American Civil War Fantasy by Jerry H. Bilik	Performed at: winter 2011 concert
American Emblem Band (March) by Harry J. Lincoln arranged by G.E. Holmes	Performed at: summer 2012 concerts
American Folk Rhapsody No. 4 by Clare Grundman	Performed at: summer 2012 concerts summer 2008 concerts
American Graffiti I arranged by Naohiro Iwai	Performed at: summer 2008 concerts
American Graffiti XVI music by Chuck Berry & Brian Wilson~R.Hildebrand~Danny Hamilton arranged by Naohiro Iwai	Performed at: summer 2007 concerts
American Graffiti XVII music by John F. Schroeder~Ross Bagdasarian & William Saroyan~Bobby Vinton & Gene Allan~Sidney Ramin & Tony Velona arranged by Naohiro Iwai	Performed at: summer 2009 concerts
American Graffiti XXI music by Hoagy Carmichael~Larry Shay arranged by Naohiro Iwai	Performed at: summer 2011 concerts
An American In Paris by George Gershwin transcribed and arranged for symphonic band by John Krance	Performed at: summer 2019 concerts spring 2019 concert
American Landscape #1 Lake Township, Ohio by Robert W. Smith	Performed at: summer 2009 concerts winter 2009 concert
American Patrol by F.W. Meacham	Performed at: summer 2018 concerts summer 2014 concerts
American Riversongs A Folksong Setting For Band by Pierre La Plante	Performed at: summer 2005 concerts
American Salute Based on When Johnny Comes Marching Home by Morton Gould transcribed from composer's original score by Philip J. Lang
An American Spectacular arranged by Chris Sharp (ASCAP)	Performed at: summer 2012 concerts
Americans We by Henry Fillmore edited by Frederick Fennell	Performed at: summer 2019 concerts summer 2016 concerts summer 2012 concerts summer 2004 concerts winter 2004 concert
Amparito Roca Spanish March by Jaime Texidor	Performed at: spring 2015 concert summer 2012 concerts summer 2010 concerts winter 2008 concert summer 2005 concerts summer 2002 concerts winter 2002 concert
Andrew Lloyd Webber: A Symphonic Portrait arranged by Jerry Nowak	Performed at: summer 2019 concerts summer 2012 concerts summer 1998 concerts
Highlights from "Annie"
Selections from "Annie" by Charles Strouse and Martin Charnin arranged by Philip J. Lang	Performed at: summer 2008 concerts
Anything Goes words and music by Cole Porter arranged by Paul Jennings	Performed at: summer 2012 concerts summer 2008 concerts summer 2003 concerts
"Aquarium" (Opus 5) by Johan de Meij	Performed at: winter 2013 concert
Armed Forces Salute arranged by Bob Lowden
Army Of the Nile Quick March by Kenneth J. Alford edited by Frederick Fennell	Performed at: summer 2019 concerts spring 2019 concert summer 2014 concerts summer 2012 concerts summer 2005 concerts summer 2004 concerts summer 2000 concerts
As a Wind From the North by Robert Sheldon	Performed at: winter 2016 concert winter 2007 concert
The Ascension (from the "Divine Comedy") composed and arranged by Robert W. Smith	Performed at: spring 2003 concert
At a Dixieland Jazz Funeral (Concert Band with Dixieland Jazz Combo) by Jared Spears (ASCAP)	Performed at: summer 2004 concerts
Athletic Festival March Opus 69, No. 1 by Serge Prokofieff arranged for band by Richard Franko Goldman
Band Of America March by Paul Lavalle	Performed at: summer 2005 concerts
Bandolero composed for band by Glenn Osser
Bandology Concert March by Eric Osterling	Performed at: summer 2014 concerts summer 1999 concerts
The Bandwagon by Philip Sparke	Performed at: summer 2013 concerts spring 2013 concert summer 2006 concerts winter 2006 concert
Barnum and Bailey's Favorite March by Karl L. King arranged for Concert Band by Glenn Cliffe Bainum	Performed at: summer 2017 concerts summer 2006 concerts spring 2006 concert
Basses On a Rampage by G.H. Huffine	Performed at: summer 2014 concerts summer 2011 concerts summer 2007 concerts
The Battle Cry Of Freedom words and music by George Frederick Root arranged by Jay Bocook
The Battle Hymn Of the Republic (For Concert Band with optional Chorus and Strings) by William Steffe arranged by Carmen Dragon	Performed at: summer 2012 concerts
Bayou Breakdown by Brant Karrick	Performed at: winter 2020 concert
Be Thou My Vision by David R. Gillingham	Performed at: winter 2008 concert
The Beatles: Love words and music by John Lennon and Paul McCartney arranged by Jay Bocook	Performed at: summer 2014 concerts spring 2014 concert
Beguine On a Brazilian Folk Song by Claude T. Smith (ASCAP)	Performed at: summer 2015 concerts
La Bella Roma by John Cacavas	Performed at: summer 2016 concerts summer 2015 concerts
Ben-Hur by Miklos Rozsa arranged by Stephen Melillo	Performed at: summer 2019 concerts
Benny Goodman: The King Of Swing arranged by Paul Murtha	Performed at: spring 2006 concert
A Bernstein Tribute music by Leonard Bernstein adapted by Clare Grundman	Performed at: summer 2018 concerts winter 2018 concert
Big Band Favorites
Big Band Signatures arranged by John Higgins	Performed at: summer 2013 concerts summer 2011 concerts spring 2011 concert
The Big Brass Band March
The Big Cage (Circus Galop) by Karl L. King arranged by Andrew Glover	Performed at: summer 2014 concerts winter 2014 concert summer 2005 concerts spring 2005 concert
Bill Bailey by Hughie Cannon arranged by Luther Henderson adapted for band by David Marshall	Performed at: summer 2007 concerts spring 2007 concert summer 1999 concerts
The Billboard March by John N. Klohr	Performed at: summer 2017 concerts summer 2010 concerts summer 2004 concerts summer 2002 concerts
Black and White Rag by George Botsford arranged by Larry Daehn	Performed at: summer 2013 concerts winter 2013 concert
Black Granite (Symphonic March) by James L. Hosay	Performed at: summer 2012 concerts winter 2012 concert
The Black Horse Troop (March) by John Philip Sousa edited by Frederick Fennell	Sousa enjoyed a long relationship with the men and horses of Cleveland's Ohio National Guard Cavalry, known as Troop A. Sousa himself was a devoted horseman. Once again he drew upon some special rhythmic resource when the march was for horses and riders; once again his special comprehension of the thrilling spectacle of regimental movement produced a compelling musical experience for both the player and the listener, commanding our particular awareness of his use of the trumpets and the drums at various dynamic levels. Performed at: summer 2018 concerts summer 2000 concerts spring 2000 concert
Block M by Jerry H. Bilik
The Blue And The Gray (Civil War Suite) by Clare Grundman	Performed at: summer 2010 concerts spring 2010 concert summer 2003 concerts spring 2003 concert
Blue Tango by Leroy Anderson	Performed at: summer 2019 concerts summer 2002 concerts summer 2000 concerts
Bolero by Maurice Ravel arranged for band by Frank Erickson	Performed at: summer 2003 concerts
Bombasto March by O.R. Farrar	Performed at: summer 2019 concerts summer 2007 concerts summer 2002 concerts
Bonnie Annie Laurie March by John Philip Sousa edited by Harold R. Gore	Performed at: summer 2008 concerts summer 2003 concerts
Bonnie Blue March by Kelly Bennette	Performed at: summer 2019 concerts winter 2019 concert
Boston Commandery March Onward! Christian Soldier by T.M. Carter arranged by P.X. Laube	Performed at: summer 2014 concerts summer 2003 concerts
The Boy Scouts of America (March) by John Philip Sousa edited by Loras John Schissel (ASCAP)	Performed at: summer 2009 concerts
The Boys of Wexford by Robert Dwyer Joyce arranged by Sammy Nestico	Performed at: summer 2008 concerts
Bravura by C.E. Duble arranged by Richard E. Thurston	Performed at: summer 2013 concerts summer 2009 concerts
Brazil (Aquarela do Brasil) composed by Ary Barroso arranged by Naohiro Iwai	Performed at: summer 2010 concerts summer 2005 concerts
Brazil: Ceremony, Song, and Samba by Robert W. Smith (ASCAP)	Performed at: winter 2010 concert
Braziliance! by Warren Barker	Performed at: summer 2017 concerts spring 2017 concert summer 2007 concerts
Brian's Holiday by Jun'ichi Naito	Performed at: summer 2010 concerts
Bricusse And Newley On Broadway arranged by Warren Barker	Performed at: summer 2018 concerts summer 2012 concerts summer 2003 concerts
The Bride of the Waves Cornet Solo with Band Accompaniment by Herbert L. Clarke	Performed at: summer 2017 concerts winter 2017 concert
Overture from Brigadoon music by Frederick Loewe lyrics by Alan Jay Lerner arranged for band by John Cacavas	Performed at: summer 2012 concerts summer 2000 concerts
Brigadoon Overture
Brighton Beach Concert March by William P. Latham	Performed at: summer 2016 concerts
British Eighth by Zo Elliott	Performed at: summer 2019 concerts summer 2017 concerts summer 2011 concerts summer 2008 concerts summer 2007 concerts summer 2004 concerts summer 2000 concerts
Broadway's Classics arranged by Larry Norred orchestrated by Scott Blood	Performed at: summer 2012 concerts
Broadway Show-Stoppers Overture arranged by Warren Barker	Performed at: summer 2019 concerts summer 2012 concerts summer 2004 concerts summer 2003 concerts
Broadway Spectacular! The Finest Moments In American Musical Theater arranged by John Higgins	Performed at: summer 2005 concerts
Brooke's Chicago Marine Band March by Roland F. Seitz	Performed at: summer 2019 concerts summer 2018 concerts summer 2011 concerts summer 2009 concerts summer 2005 concerts summer 2001 concerts
Bullets and Bayonets (March) by John Philip Sousa edited by Frederick Fennell	Performed at: summer 2018 concerts summer 2013 concerts spring 2013 concert summer 2006 concerts
Burnished Gold and Army Blue arranged by Warren Barker
Burst by Sean O'Loughlin	Performed at: summer 2009 concerts winter 2009 concert
Bye Bye Birdie music by Charles Strouse lyrics by Lee Adams arranged by Calvin Custer	This 1960 Broadway hit comes from the early years of rock and roll. Performed at: summer 2012 concerts summer 1998 concerts winter 1998 concert
El Caballero Spanish March by J. Olivadoti	Performed at: summer 2010 concerts summer 2001 concerts
Cabaret Selections For Concert Band lyrics by Fred Ebb music by John Kander
Caderna Italian March by A. D'Arcangelo edited by Col. Arnald D. Gabriel	Performed at: summer 2016 concerts summer 2015 concerts summer 2009 concerts
Cajun Folk Songs For Concert Band by Frank Ticheli	La Belle et le Capitaine Belle Cajuns are descendants of the Acadians, a group of early French colonists who began settling in Acadia (now Nova Scotia) around 1604. In 1755 they were driven out by the British, eventually resettling in South Louisiana. Today there are nearly a million French-speaking descendants of the Acadians living in Louisiana and parts of Texas, preserving many of the customs, traditions, stories, and songs of their ancestors. La Belle et le Capitaine tells the story of a young girl who feigns death to avoid being seduced by a captain. Its Dorian melody is remarkably free, shifting back and forth between duple and triple meters. Belle is about a man who goes away to Texas only to receive word of his sweetheart's illness, forcing him to return to Louisiana. Finding her unconscious upon his return, he pawns his horse to try to save her, to no avail. Cajun Folk Songs is composed as a tribute to the people of the old Cajun folksong culture, with hopes that their contributions will not be forgotten.
Highlights from "Camelot" lyrics by Alan Jay Lerner music by Frederick Loewe arranged for band by Paul Yoder	Performed at: summer 2017 concerts summer 2003 concerts summer 2000 concerts
Can You Read My Mind
Candide Suite music by Leonard Bernstein adapted by Clare Grundman	Performed at: spring 2017 concert
Canzona by Peter Mennin	Performed at: winter 2019 concert
El Capitan by John Philip Sousa
Captain America March by Alan Silvestri arranged by Michael Brown	Performed at: winter 2020 concert
Caribbean Rondo On Traditional Songs by Pierre La Plante	Performed at: summer 2014 concerts summer 2012 concerts
Caribeguine by Willis Schaefer	Performed at: summer 2011 concerts
Carmen Suite by Georges Bizet arranged by Jack Bullock	The story of Carmen is set in Seville, Spain in 1820. It is the story of a passionate, fickle Gypsy girl, who is one of six major roles in the opera. The story, in four acts, is full of action --- animated, flowing, and never dragging or uninterested. Bizet was well-acquainted with Spanish folk lore and folk music through his many visits to Spain. For Carmen, he composed a score which is rhythmical, tuneful, and characteristic of the Gypsy life-style. This adaptation for wind band, a suite in four movements, retains the spirit of the original production. Performed at: summer 2014 concerts summer 2005 concerts summer 1999 concerts winter 1999 concert
Carnaval by Moraes Moreira, Alceu Valenca, David Batteau, and Mary Ekler arranged by Naohiro Iwai	Performed at: summer 2010 concerts
Carnival Of Roses Overture by J. Olivadoti
Carolina Clambake by Paul Yoder	Performed at: summer 2013 concerts summer 2008 concerts summer 1999 concerts
Carpenters Forever by J. Raposo, P. Williams & R. Nichols, J. Bettis & R. Carpenter, H. David & B. Bacharach, L. Russell & B.Bramiett, and F. Karlin arranged by Toshio Mashima	Performed at: summer 2010 concerts
Cartoon Capers by Steph Bulla (ASCAP)	Performed at: summer 2014 concerts summer 2001 concerts
Casey at the Bat by Allen Feinstein text by Ernest L. Thayer	Performed at: spring 2017 concert
A Celebration Fanfare	Performed at: summer 1998 concerts
Charter Oak Concert March by Eric Osterling
Cheerio (Sing and Whistle) March by Edwin Franko Goldman
Chiaroscuro by Robert Sheldon, Op. 79	Performed at: winter 2018 concert winter 2003 concert
Chicago words and music by Fred Ebb and John Kander arranged by Victor Lopez	Performed at: summer 2013 concerts spring 2013 concert summer 2004 concerts winter 2004 concert
Chicago (That Toddlin' Town) by Fred Fisher arranged by Jerry Nowak	Performed at: summer 2009 concerts
Children's March Over the Hills and Far Away by Percy Aldridge Grainger revised by Frank Erickson	This work is cast in a sunny, care-free mood; many of the tunes sound like folksongs, but they are original compositions. Grainger believed that the greatest expressivity was in the lower octaves of the band and from the larger members of the reed families. Consequently, one finds in this Children's March a more liberal and more highly specialized use of such instruments as the bassoon, English horn, bass clarinet, contra-bassoon, and the lower saxophones than is usual in writing for military band. Research by Frederick Fennell supports Grainger's claim that this is the first composition for band utilizing the piano. Performed at: winter 2008 concert winter 1999 concert
The Chimes Of Liberty March by Edwin Franko Goldman arranged by Loras J. Schissel	Performed at: summer 2009 concerts summer 2003 concerts
Chorale and Shaker Dance by John P. Zdechlik	Performed at: summer 2019 concerts winter 2019 concert summer 2002 concerts winter 2002 concert
The Circus Bee (Rondo) by Henry Fillmore arranged by Robert E. Foster	Performed at: summer 2017 concerts summer 2005 concerts winter 2005 concert
Clarinet Cameo (Trio for B-flat Clarinets) by Roger Barsotti	Performed at: summer 2018 concerts winter 2018 concert
Clarinet Escapade for Band by Russell Ward	summer 2016 concerts summer 2000 concerts
Classic Duke arranged by Luther Henderson adapted for band by Paul Murtha	Performed at: spring 2009 concert
Clear Track Polka (Bahn Frei) by Eduard Strauss op. 45 arranged by Alfred Reed	The Strauss dynasty (there is really no other word for it) has now lasted over 150 years, in Vienna and throughout the world, bringing forth this illustrious and continuing family, a long line of composers, conductors and performers whose efforts have delighted and entranced at least six generations of musicians, music lovers, dancers, and audiences on every continent in the civilized world. Like his brothers, Eduard became a successful composer and conductor, almost in defiance of his father's wishes, who did not want any of his three sons to pursue such a calling. Whereas his brothers Johann and Joseph had to deal with this situation in a sometimes painful way, Eduard (only ten when his father died) had a much easier time following his inclination toward music. As a result, he was able to enjoy his successes with a much clearer conscience. Eduard traveled and toured extensively throughout Europe as a conductor of his own orchestra and others. His compositions, imbued with the same Viennese spirit and vitality became well known and are still performed to this day. Clear Track Polka (Bahn Frei) is another of those delightful "Schnellpolkas" that seemed to be a Strauss invention. It depicts a railroad train being given the "clear track ahead" signal, and after starting up and reaching cruising speed, takes its riders merrily on their happy, jingling way, with Straussian melodies as its fuel.
Coat of Arms
Cole Porter a symphonic portrait for concert band arranged by Wayne Robinson
Cole Porter a medley for concert band music by Cole Porter arranged by Robert Russell Bennett	Performed at: summer 2018 concerts
Colonel Bogey by Kenneth J. Alford edited by Frederick Fennell	The interval of a descending minor third, apparently basic to childhood communication, appears to be one factor in the 1914 composition of this march and a reason for its basic appeal. Playing golf in Scotland one day, Alford apparently whistled the interval to attract another golfer's attention, and the result was a world-famous march (popularized later by the film The Bridge Over the River Kwai). The golf term "bogey" (or one over par on a given hole) gets its name from the march's namesake, known as being "quite a good man with a stick". Performed at: summer 2019 concerts summer 2012 concerts spring 2012 concert summer 1997 concerts
Colors Flying by Charles Weiner	Performed at: summer 2008 concerts
Colossus Of Columbia March by Russell Alexander arranged for Concert Band by Glenn Cliffe Bainum	Russell Alexander spent most of his life as a solo euphonium player and composer. Many of his greatest marches were written during his time with Barnum and Bailey's Greatest Show on Earth. The rhythmic drive and excitement of this march reveal this circus experience. It was near the end of the tour in 1901 that Alexander wrote Colossus of Colombia, dedicating it to "the Continental Congress at Washington".
Commando March by Samuel Barber arranged by James Curnow	Performed at: summer 2005 concerts summer 2000 concerts
Communion by Carl Strommen	Performed at: summer 2017 concerts winter 2017 concert
Concert March TAKE OFF by Tomohiro Tatebe and Gemba Fujita	Performed at: summer 2010 concerts
Concertino by C.M. v. Weber arranged by M.L. Lake	Performed at: winter 2004 concert
Concerto for Clarinet (Rondo) by W.A. Mozart edited by Donald McCathren arranged by Dale Casteel	This most popular concerto was written for Anton Stadler, probably the greatest clarinetist of his time, and was completed just two months before Mozart's untimely death in 1791.
Concerto for Trombones by Norman Leyden
Concerto No. 1 (K. 412) by W.A. Mozart arranged by Lorenzo Sansone	At the age of three, Wolfgang Mozart showed a remarkable love of music. He would listen to his sister Marianne's lessons and later would improvise similar tunes and chords. His father, Leopold, soon began directing his studies and later toured with Wolfgang and Marianne throughout Europe and England while the children were still very young. They were well received and widely acclaimed during these tours, which continued for several years. The first of his serious compositions was completed and performed during that period. At the age of twelve, young Mozart composed an opera at the order of the emperor of Austria, and it was performed at Salzburg. More writing and travels in Italy followed, with Mozart being honored at the Vatican and in several other Italian cities. During his adult life, when he wrote some of the world's greatest masterpieces, Mozart was almost always in debt and frequently in ill health. It is thought that he wrote his Requiem as a result of what he believed to be a forewarning of his own death. He left a fabulous legacy of opera, concerto, symphony, choral, and ensemble music to the world.
Concord Overture by Ralph Hermann	Performed at: summer 2014 concerts
The Connecticut March by William Nassann arranged by G.H. Reeves
El Conquistador Spanish March by James L. Tarver
Copacabana (At The Copa) music by Barry Manilow lyric by Bruce Sussman and Jack Feldman arranged by Richard Saucedo	Performed at: summer 2013 concerts summer 2011 concerts summer 2008 concerts summer 2004 concerts
A Copland Tribute by Aaron Copland adapted by Clare Grundman	Performed at: spring 2018 concert
Coronation Scene from Boris Godunov by Modest Mussorgsky arranged by Barbara Buehlman	Boris Godunov, first performed at St. Petersburg in 1884, is essentially an opera about the early 17th century Russian people. Although the action centers around certain individuals, it is the spirit of the struggling people that dominates the stage. This spirit finds dramatic expression in the brilliant pageantry of the opera, its magnificent choruses, and in Mussorgsky's spectacular orchestration. The "Coronation Scene", one of the highlights of the opera, opens as the populace of the Moscow Kremlin fills the great square between the cathedrals. Magnificent banners, the vividly colored garments of the people, the gleaming domes of the cathedrals, the pealing of the great bells, all form a brilliant background for the stately procession of the Boyards, who advance slowly towards the Cathedral of the Assumption, Boris himself in their midst. The air resounds with the pealing of bells and the shouts of the multitude as Boris passes into the cathedral for the coronation ceremony. Performed at: summer 2018 concerts spring 2018 concert summer 2000 concerts spring 2000 concert
Cotton Ferry Expedition by Ralph Ford (ASCAP)	Performed at: summer 2008 concerts winter 2008 concert
Count Basie Salute arranged by John Higgins	Performed at: summer 2009 concerts
Country Gardens set for concert band by Percy Grainger	Performed at: summer 2019 concerts summer 2007 concerts summer 1997 concerts
Cousins Duet for Cornet & Trombone by Herbert L. Clarke arranged by John G. Mortimer	Performed at: winter 2003 concert summer 1998 concerts
Crooner's Serenade arranged by Justin Williams	Performed at: summer 2013 concerts
Crown Imperial A Coronation March, 1937 by William Walton	Performed at: summer 2003 concerts
Culloden III "We Toomed Our Stoops for the Gaudy Sodgers" by Julie Giroux	Performed at: winter 2017 concert
Cumana by Barclay Allen arranged by David Bennett	Performed at: summer 2011 concerts summer 2005 concerts
La Cumparsita Tango by G. H. Matos Rodriguez arranged by Harold L. Walters	Performed at: summer 2019 concerts summer 2008 concerts summer 1998 concerts
A "Cursed" Overture by Steven Bergman	Performed at: summer 2011 concerts spring 2011 concert
Cyclone Coaster Overture for Band by Stephen Bulla (ASCAP)
Dance Of The Jesters by P.I. Tchaikovsky arranged by Ray Cramer	Performed at: summer 2016 concerts
Dance Of The Rose Maidens (From Gayne Ballet, Suite No. 1) by Aram Khachaturian arranged by James Truscello
The Dandy Fifth
Danny Boy traditional Irish air arranged by Lewis J. Buckley	Performed at: summer 2011 concerts spring 2011 concert
Danse Bacchanale From Samson and Delilah by Camille Saint-Saens arranged by Jay Bocook	Performed at: summer 2019 concerts summer 2013 concerts spring 2013 concert summer 2005 concerts winter 2005 concert
Danza Boleriana by Stan Applebaum	Performed at: summer 2004 concerts summer 1999 concerts spring 1999 concert
Danzas Cubanas by Robert Sheldon	Performed at: winter 2012 concert
Dashing Through The Snow by ?	Performed at: winter 2019 concert
A Day in the Life of a Fool and Guantanamera by Carl Sigman and Luiz Bonfa arranged by Seth Markhan	Performed at: summer 2010 concerts
De Molay Commandery	Performed at: summer 1998 concerts
Defying Gravity by Steven Reineke (ASCAP)	Performed at: summer 2017 concerts summer 2005 concerts spring 2005 concert
Dixie Polka	Performed at: summer 2013 concerts summer 1998 concerts
Dixieland Bash arranged by Michael Sweeney	Performed at: summer 2003 concerts spring 2003 concert summer 1998 concerts
Dixieland Clambake arranged by John Warrington
Dixieland Jam arr. Bob Lowden	The end of World War I began the rise of America's only indigenous art music form: jazz. Here are some of the earliest incarnations of this music with lively arrangements of Basin Street Blues, Maple Leaf Rag, Tin Roof Blues, When the Saints Go Marching In, and Bill Bailey. Performed at: summer 2008 concerts summer 1997 concerts
Dixieland Revue arranged by Eric Osterling
Do-Re-Mi music by Richard Rodgers arranged by Takashi Hoshide	Performed at: summer 2013 concerts summer 2012 concerts summer 2009 concerts summer 2002 concerts
Doctor Who: Through Time And Space by Murray Gold arranged by Robert Buckley	Performed at: winter 2020 concert
Down a Country Lane by Aaron Copland	Performed at: summer 2017 concerts spring 2017 concert summer 1997 concerts
The Drum Major's Daughter Overture by Jacques Offenbach (1819-1880) arranged by Lawrence Odom	Performed at: summer 2018 concerts
Drums of America by John Warrington and George Frock	Performed at: summer 2007 concerts
Dynamarch (Concert March) by John Cacavas	Performed at: summer 2013 concerts
E Pluribus Unum by Fred Jewell arranged by Andrew Glover	Performed at: summer 2017 concerts winter 2017 concert summer 2008 concerts
Earl's March by Charles A. Wiley dedicated to Earl Ray, Lubbock, Texas
Easter Monday On the White House Lawn by John Philip Sousa arranged by Harold R. Gore
Egmont Overture by Ludwig van Beethoven arranged by Theo. Moses-Tobani	This overture clearly represents Beethoven as the political liberal, the champion of the oppressed, and the freedom fighter. Based on a tragedy by Goethe, Beethoven's work is intended as incidental music for a stage performance. Take separately, the overture can be regarded as in itself a kind of programmatic music drama. The plot concerns Count Egmont, a Flemish patriot and one of the leaders of the revolt against the tyrannical Duke of Alva, who is sent to suppress the budding secession of the Netherlands from Spain. Egmont is treacherously seized and condemned to public execution. Asleep in the prison, he dreams of a vision of the Goddess of Liberty. Her face is that of his own beloved Clarchen. She tells him that in dying he will secure the eventual victory of his people and be hailed as a conqueror. He reawakens, the soldiers enter and lead him away to the scaffold. His last words are, "Fight for your hearths and homes, and die joyfully - after my example - to save that which you hold most dear." Performed at: winter 2020 concert summer 2014 concerts winter 2000 concert
Eldorado by Sammy Nestico
Elegy For a Young American by Ronald Lo Presti	Williamstown, Mass. native Lo Presti wrote Elegy in 1964 and dedicated it to the memory of John F. Kennedy. The Indiana Wind Ensemble premiered the work in April of that same year. Except for a ten measure allegro section near the end, the tempo of the entire work is a slow adagio. Contrast and balance are achieved by solo instruments alternating with small sections of instruments and with the sound of the full band.
An Ellington Festival
An Ellington Portrait setting for band by Floyd E. Werle	Performed at: summer 2010 concerts spring 2010 concert summer 1999 concerts spring 1999 concert
Emperata Overture by Claude T. Smith (ASCAP)	As a trademark of Smith's works, he employs meter changes to asymmetrical time signatures and highlights many soloists. This work is set forth in classic overture style, opening with a fanfare-like statement by the brass section accompanied by percussion in the background. It moves to a lyrical center section, passing the main theme through a series of soloists, then sections, and finally the full band. The ending is highlighted by a change of key and a restatement of all the major themes simultaneously, making a very exciting finish. Performed at: summer 2014 concerts spring 2014 concert winter 2006 concert summer 1998 concerts winter 1998 concert
Emperor Valse by Johann Strauss
English Suite by Clare Grundman	The Oak And the Ash Barb'ra Allen The Girl I Left Behind Me The British Grenadiers Performed at: summer 2014 concerts summer 2001 concerts spring 2001 concert
Entry of the Gladiators (Einzug der Gladiatoren) "Thunder and Blazes" March by Julius Fucik transcribed by Louis-Phillipe Laurendeau arranged by J.S. Seredy edited by Van B. Ragsdale	Performed at: summer 2017 concerts summer 2008 concerts winter 2008 concert summer 2004 concerts
Escapade for Trombones (Trombone Quartet Feature) arranged Frank Bencriscutto	Performed at: summer 2004 concerts
Espana Cani by Pascual Marquina arranged by Robert Longfield	Performed at: summer 2009 concerts spring 2009 concert
The Fairest of the Fair	Performed at: summer 2010 concerts summer 2002 concerts summer 1997 concerts
Fall River Overture by Robert Sheldon	Performed at: summer 2013 concerts
Fandango by Frank Perkins arranged for Band by Floyd E. Werle	Performed at: summer 2015 concerts spring 2015 concert summer 2010 concerts summer 2006 concerts summer 2003 concerts spring 2003 concert
Fandango Asturiano from "Capriccio Espagnol" by N. Rimsky-Korsakov adapted and arranged for Band by John Cacavas from the Orchestral Score
Fanfare and Flourishes For A Festive Occasion by James Curnow	Performed at: winter 2014 concert
Fanfare, Chorale and Fugue by Caesar Giovannini (ASCAP) scored for Band by Wayne Robinson
Fanfare For The Glorious NayCart by David R. Holsinger (ASCAP)	Performed at: summer 2011 concerts summer 2004 concerts
Fanfare Prelude On Lancashire Lead On O King Eternal by Louis Ganne arranged by Charles J. Roberts
Fanfare Variations by Warren Barker	Performed at: summer 2017 concerts
Fantaisie-Caprice Clariet Solo with Band by Ch. Lefebvre arranged by Wesley Shepard	Performed at: winter 2009 concert
Fantasia Español	Performed at: summer 2010 concerts summer 1998 concerts
Fantasia In G Major by J.S. Bach transcribed by Richard Franko Goldman and Robert L. Leist	The great Fantasia in G Major for organ was composed between 1703 and 1707 during Bach's residence in Arnstadt. It was here, at the beginning of his career, that his music was found by the Consistory to be too full of "wonderful variations and foreign tones," and certainly the Fantasia is strikingly dissonant in its constant texture of suspensions. But the breadth of the five-part polyphonic writing and the richness of the harmonic sonority make the work one of the grandest of all Bach's compositions for organ. It is also one that lends itself most perfectly to the sound and sonorities of the modern wind band.
Fantasy on an African-American Spiritual ("My Lord! What a Morning") arranged by Bruce Prueninger	Performed at: summer 2014 concerts summer 2007 concerts
Fantasy on Childhood Songs edited by David W. Moore	Performed at: summer 2013 concerts
Fantasy On English Hunting Songs by Clare Grundman	This work is based on four old airs whose lyrics touch on various aspects of the chase. The Lancaster Poacher is a rollicking drinking song about a poor apprentice who believes he can improve his fortune by poaching game and who declares in its refrain, "For it's my delight of a shiny night, in the season of the year." The Fox Chase, also known under the title A Southerly Wind and a Cloudy Sky, is an old fox-hunting song. A-Hunting We Will Go is an 18th century tune set to a poem of Henry Fielding. John Peel, treated both as a ballad and as the very old, familiar, spirited hunting song whose verse "D'ye ken John Peel with his coat so grey, with his hounds and his horn in the morning?" is widely known. The strains of these delightful melodies are cleverly intertwined throughout this lively work as it drives toward its powerful climactic conclusion. Performed at: summer 2006 concerts summer 2000 concerts spring 2000 concert
Fantasy on "Yankee Doodle" by Mark Williams	Performed at: summer 2018 concerts summer 2013 concerts summer 2003 concerts
Farandole from L'Arlesienne Suite No. 2 by Georges Bizet arranged by Larry Daehn	Performed at: summer 2019 concerts spring 2019 concert summer 2011 concerts winter 2011 concert
Fascination music by F.D. Marchetti arranged by Toshio Mashima	Performed at: summer 2009 concerts
Father of Victory Marche Francaise by Louis Ganne arranged by Charles J. Roberts	Performed at: summer 2010 concerts summer 2001 concerts spring 2001 concert summer 1998 concerts
Feierlicher Einzug - C by Richard Strauss transcribed by R.H. Kingston	Appropriately enough for these times, this composer's most familiar work, Also Sprach Zarathustra, is the opening theme of a movie about the new millennium, 2001: A Space Odyssey. In the much shorter Feierlicher Einzug from 1909, Strauss' score specifies 15(!) E-flat trumpets, 4 French horns, 4 trombones, 2 tubas, and tympani. It has been adapted for the Lexington Bicentennial Band by rearranging the parts for its more standard brass complement, including baritones. The originally specified E-flat trumpet is two and one-half whole tones above the B-flat instrument, so Strauss' original key of E-flat major has been lowered to C major to better suit the lower range of the modern trumpet. Slow and majestic, the piece builds in volume and complexity, evolving from an initial G major harmony to the C of the key signature.
Festival March (From "La Boheme") by Giacomo Puccini adapted by Alfredo Antonini scored for Band by John Cacavas	Performed at: summer 2015 concerts
A Festival Prelude by Alfred Reed	Performed at: summer 2003 concerts spring 2003 concert
Festive Dance from Faust by Charles Gounod arranged by Andrew Glover	Performed at: summer 2016 concerts winter 2016 concert
Festivo arranged by Vaclav Nelhybel
Fidgety Feet arranged by John Edmondson	Performed at: summer 2009 concerts spring 2009 concert
Film Score Classics arranged by Jay Bocook	Performed at: summer 2009 concerts summer 1999 concerts
A Fifties Time Capsule arranged by Paul Jennings
First Suite In E-flat for Military Band Op. 28, No. 1 by Gustav Holst revised and edited by Colin Matthews	Chaconne Intermezzo March Performed at: summer 2018 concerts spring 2018 concert summer 2008 concerts winter 2008 concert summer 2002 concerts winter 2002 concert
Five Festive Fanfares by Philip Sparke	Champions Fanfare Birthday Fanfare Festival Fanfare Gala Fanfare Victory Fanfare
Flieger-Marsch by Hermann Dostal edited by George S. Howard	Performed at: summer 2019 concerts summer 2005 concerts summer 2000 concerts
Flight Of The Pegasus by David Shaffer (ASCAP)	Performed at: summer 2009 concerts summer 2003 concerts
Flight of the Piasa by Robert Sheldon	Performed at: summer 2009 concerts winter 2009 concert
Flight Of Valor by James Swearingen (ASCAP)	Performed at: summer 2004 concerts
Florentiner March Grande marcia Italiana by Julius Fucik arranged by M.L. Lake edited by Frederick Fennell	Performed at: summer 2019 concerts summer 2011 concerts summer 2005 concerts
Flourish and Hymn Of Praise by Claude T. Smith (ASCAP)
The Flying Squadron by Karl L. King arranged by Gene Milford	Performed at: summer 2008 concerts winter 2008 concert
Folk Dances by Dimitri Shostakovich arranged by Frank Erickson	Performed at: summer 1999 concerts
Folk Dances by Dimitri Shostakovich edited by H. Robert Reynolds	Performed at: summer 2013 concerts summer 2009 concerts
Folk Dances by Dimitri Shostakovich arranged by James Curnow	Performed at: summer 2017 concerts
Folk Song Suite For Military Band by R. Vaughan Williams	March "Seventeen Come Sunday" Intermezzo "My Bonny Boy" March "Folk Songs From Somerset" Performed at: summer 2019 concerts summer 2011 concerts summer 2009 concerts winter 2009 concert summer 2005 concerts spring 2005 concert summer 2001 concerts
The Footlifter March by Henry Fillmore	Performed at: summer 2016 concerts winter 2016 concert summer 2013 concerts summer 2012 concerts summer 2009 concerts summer 2007 concerts summer 2005 concerts
Fortress by Frank Ticheli	Fortress is a tense and intense work based on the dissonant harmonic interval of the tritone. It was composed in 1988 and received its premiere performance by the Batawagama Youth Camp Band in Iron County, Michigan (Donald Schleicher, conductor) on June 25, 1988. It is dedicated to Robert Floyd and the L.V. Berkner High School Band, Richardson, Texas. Frank Ticheli is currently Assistant Professor of Music at Trinity University in San Antonio, Texas. Performed at: summer 2009 concerts spring 2009 concert summer 1998 concerts
The Foundation March by Richard Franko Goldman	Performed at: summer 2019 concerts summer 2007 concerts summer 2001 concerts
Four Scottish Dances by Malcolm Arnold arranged by John P. Paynter	Performed at: spring 2005 concert
The Free Lance March On to Victory by John Philip Sousa arranged by R. F. Goldman	Although Sousa is remembered primarily for his marches, he also wrote several operettas. One of these, titled Free Lance, concerned a goatherd who left his goats, hired himself out as a (free lance) mercenary leader of two rival armies, maneuvered his troops so that neither side could win, and declared himself emperor of both countries. Whether Sousa needed another new march for his band in 1906 (he wrote no other marches that year) or whether he realized the limited future of his operetta is not known, but he did piece together several of the operetta tunes in composing the march. Performed at: summer 2015 concerts summer 2008 concerts spring 2008 concert summer 1998 concerts winter 1998 concert
Friska (Finale from HUNGARIAN RHAPSODY NO. 2) by Franz Liszt adapted and arranged for band by Andrew Glover	Performed at: winter 2014 concert
From the Cedars To the Mountains by Barry E. Kopetz	Performed at: summer 2013 concerts summer 2008 concerts
From Sea To Shining Sea (An American Overture) by Warren Barker (BMI)	Performed at: summer 2017 concerts summer 2014 concerts summer 2006 concerts winter 2006 concert
From the Shores of the Mighty Pacific by Herbert L. Clarke	Massachusetts native Herbert L. Clarke enjoyed fame as the finest cornet virtuoso of his day. His compositions and solo voice were heard with such distinguished musicians as Patrick Gilmore, Victor Herbert, and John Philip Sousa. It was with the last that his fame was established from 1893 until he retired as a bandsman and assistant conductor in 1917.
Symphonic Highlights from FROZEN arranged by Stephen Bulla	Performed at: summer 2015 concerts spring 2015 concert
Fuego del Alma by Carl Strommen (ASCAP)	Performed at: summer 2013 concerts
Fugue on Yankee Doodle by John Philip Sousa arranged by Brion/Schissel	Performed at: winter 2007 concert
Funiculi Funicula by Luigi Denza arranged by Alfred Reed	Performed at: summer 2016 concerts summer 2015 concerts summer 2014 concerts spring 2014 concert
Furusato by Alan Menken	Performed at: summer 2007 concerts
The Gallant Seventh by John Philip Sousa edited by Frederick Fennell	Performed at: summer 2019 concerts spring 2019 concert summer 2007 concerts summer 2005 concerts summer 2001 concerts spring 2001 concert
Galop Humoresque by Claude T. Smith (ASCAP)	Performed at: summer 2007 concerts
A Galop To End All Galops by Warren Barker	Performed at: summer 2017 concerts summer 2006 concerts
Gammatique Grandiose Marsch (Serie Marschtriomfen No. 4) by Gerard H. Boedijn
Gardes Du Corps by R.B. Hall	Performed at: summer 2004 concerts
El Gato Montes	Performed at: summer 1998 concerts
The Genius of Ray Charles arranged by Michael Brown	Performed at: summer 2019 concerts spring 2012 concert winter 2006 concert
George Washington Bridge An Impression For Band by William Shuman	Performed at: winter 2004 concert
Gershwin A Medley for Concert Band words by Ira Gershwin music by George Gershwin arranged by Robert Russell Bennett	Performed at: summer 2016 concerts spring 2016 concert
Gershwin! arranged by Warren Barker	George Gershwin was born in 1898 and grew up in Brooklyn where he attended the public schools, took piano lessons, and began composing. When he was sixteen, he was hired by the Remick Publishing Company to plug songs for potential buyers. When he was eighteen, he wrote Pretty Lady, which was interpolated into the Sigmund Romberg score for Passing Show, and when he was twenty-one, Gershwin wrote the score for his first Broadway show, La La Lucille. When Al Jolson began singing Swanee (written in fifteen minutes), Gershwin's fame and fortune began to increase rapidly. With his brother Ira as lyricist, he wrote over a dozen successful music comedies between 1919 and 1933. Gershwin died in 1937 after an unsuccessful brain tumor operation. Since that time, his opera Porgy and Bess, his symphonic piece Rhapsody in Blue, and his piano concertos have been performed around the world, proving his prediction that jazz and art music really could be combined. This medley includes: Fascinating Rhythm, Embraceable You, Somebody Loves Me, Someone to Watch Over Me, and I Got Rhythm. Performed at: summer 2010 concerts winter 2010 concert summer 1998 concerts spring 1998 concert
Gilbert & Sullivan: Symphonic Suite words by William S. Gilbert music by Sir Arthur Sullivan arranged by Ted Ricketts	Performed at: summer 2007 concerts winter 2007 concert
The Gladiator (March) by John Philip Sousa arranged by Paul Yoder	Performed at: summer 2007 concerts summer 2002 concerts
Glenn Miller In Concert arranged by Wayne Scott	Performed at: summer 2007 concerts
Go West! arranged by Ralph Ford	Performed at: summer 2016 concerts
The Golden Age of Broadway arranged by Warren Barker	Performed at: summer 2016 concerts spring 2016 concert summer 2010 concerts summer 2007 concerts spring 2007 concert summer 2000 concerts summer 1997 concerts
The Golden Age of Broadway (The Musicals of Rodgers and Hammerstein II) lyrics by Oscar Hammerstein II music by Richard Rodgers arranged by John Moss	Performed at: summer 2011 concerts winter 2011 concert
Golden Jubilee March by John Philip Sousa edited by Frederick Fennell	Performed at: summer 2005 concerts summer 2003 concerts winter 2003 concert
The Governor's March by Leroy Anderson	Performed at: summer 2003 concerts
The Great Waldo Pepper March composed and arranged by Henry Mancini scored for band by John Cacavas	Performed at: summer 2007 concerts spring 2007 concert
Greensleeves
Guadalcanal March by Richard Rodgers arranged for Concert Band by Erik Leidzen	Performed at: summer 2014 concerts summer 2005 concerts
"The Gum-Suckers" March for Military Band, Piano, and Tuneful Percussion by Percy Aldridge Grainger edited by R. Mark Rogers	Performed at: winter 2015 concert
Guys And Dolls Overture by Frank Loesser	Performed at: summer 2015 concerts spring 2015 concert summer 2003 concerts summer 1998 concerts
"H. M. Jollies" March by Kenneth J. Alford arranged by H. R. Gore edited by Ryan Ayres	Performed at: summer 2019 concerts
Hail To the Fleet by Richard Maltby	Performed at: summer 2015 concerts summer 2005 concerts
Hail To the Spirit Of Liberty by John Philip Sousa edited for Contemporary Wind Band by Donald Hunsberger	Performed at: summer 2019 concerts summer 2008 concerts summer 2000 concerts
Selections From Hairspray music by Marc Shaiman lyrics by Marc Shaiman and Scott Wittman arranged by Ted Ricketts	Performed at: summer 2011 concerts summer 2008 concerts
Suite from Hamilton words and music by Lin-Manuel Miranda arranged by Jerry Brubaker	Performed at: summer 2018 concerts
Handel In the Strand by Percy Grainger arranged by Richard Franko Goldman	Performed at: winter 2017 concert
Hands Across The Sea MARCH by John Philip Sousa arranged by Brion/Schissel	Performed at: summer 2015 concerts summer 2011 concerts winter 2011 concert summer 2001 concerts
Happy by Pharrell Williams arranged by Michael Brown	Performed at: summer 2017 concerts spring 2017 concert
Suite from Harry Potter and the Order of the Phoenix arranged by Jack Bullock	Performed at: summer 2009 concerts spring 2009 concert
Heather Ridge Sketches by Stephen Bulla (ASCAP)	English Oaks Samanthra Holiday Lane This three movement work takes its name from an area in Bowie, Maryland where the composer lived for a short time. (The first and third movements are actual street names.) It was commissioned by Dr. David W. Rox and the Gordon College Symphonic Band. Movement 1: English Oaks The music opens with flourishes in the Woodwinds and fanfares in the Brass. An atmosphere of nobility and strength is characterized by the themes and their development in this movement. Movement 2: Samanthra Taking its name from an 1835 Southern Harmony tune, the composer chose this melody as the basis for a more introspective style in this section. The music lends itself to expressive and soloistic interpretation. Movement 3: Holiday Lane The final movement is an exciting romp through energetic dance rhythms and hoedown-like gestures in the music.
Hebrides Suite Airs from Marjory Kennedy-Fraser's Collection "Songs of the Hebrides" by Clare Grundman	Performed at: summer 2014 concerts summer 2011 concerts
Hello, Dolly! by Jerry Herman arranged by Philip J. Lang	Performed at: summer 2019 concerts summer 2000 concerts summer 1999 concerts
Hello, Dolly! From the Musical Production "Hello, Dolly!" by Jerry Herman arranged by John Cacavas	Performed at: summer 2015 concerts
A Highland Fling! arranged by Warren Barker	Performed at: summer 2014 concerts
His Excellency March by Henry Fillmore arranged by William E. McMath	Performed at: summer 2003 concerts
His Honor by Henry Fillmore	Performed at: summer 2017 concerts spring 2017 concert summer 2015 concerts summer 2010 concerts spring 2010 concert summer 2002 concerts
Hitsville, U.S.A. (40 Years Of Motown) arranged by John Wasson	Performed at: summer 2015 concerts<
Hoagy Carmichael: An American Classic arranged by James Kessler	This medley by the beloved Tin Pan Alley composer includes: Lazy River, Star Dust, Heart and Soul, Skylark, and Georgia On My Mind.
Hoagy Carmichael In Concert arranged by Warren Barker	Performed at: summer 2016 concerts summer 2007 concerts spring 2007 concert summer 1999 concerts
Holiday For Flutes arranged by John Warrington recorded by David Rose and his Orchestra
Holiday For Winds composed and arranged by Glenn Osser	Performed at: summer 2015 concerts summer 2011 concerts summer 2008 concerts summer 2001 concerts
Home Stretch Galop by Leroy Anderson	This galop was composed in 1962 by the Harvard University graduate and long-time Boston Pops composer, Leroy Anderson. It is delightfully wicked to its listeners and players, inserting a three beat measure at the end of every sub-phrase in the opening melody. The percussion is given the tireless job of creating the horse's hoof beats throughout the piece until the piece comes to a screaming halt.
The Homefront	Performed at: summer 2010 concerts summer 1997 concerts
Hook lyrics by Leslie Bricusse music by John Williams adapted from the original score by Jack Bullock	Performed at: summer 2015 concerts summer 1998 concerts
Hosts of Freedom by K.L. King	Performed at: summer 2015 concerts
How the West Was Won A Western Fantasy arranged by Robert Hawkins
Hymn and Allelujah by Jim Curnow	Performed at: summer 2015 concerts
Hymn To the Fallen (for Concert Band with Optional Chorus) music by John Williams transcribed for concert band by Paul Lavender	This is the main musical theme from the film Saving Private Ryan. It is gentle and noble, characterizing the great patience and perseverance needed by the film's main characters to complete their mission: saving the fourth son of the same mother from being killed in World War II.
"Il Re Pastore" Overture The Shepherd King by W. A. Mozart scored by Clifford P. Barnes	Performed at: summer 2016 concerts summer 2008 concerts summer 1997 concerts
I'm Seventeen Come Sunday by Percy Aldridge Grainger arranged by Larry D. Daehn	Performed at: summer 2009 concerts summer 1999 concerts
I'm Shipping Up To Boston words and music by Alexander Barr, Ken Casey, Woody Guthrie and Matthew Kelly arranged by Sean O'Loughlin	Performed at: summer 2015 concerts
Immer Fesch arranged by Naoki Hayashi	Performed at: summer 2010 concerts
In All Its Glory by James Swearingen (ASCAP)	Performed at: summer 2013 concerts summer 2011 concerts summer 2004 concerts
In the Hall of the Mountain King by Edvard Grieg arranged by Lloyd Conley	Performed at: summer 2017 concerts spring 2017 concert
In the Miller Mood arranged by Warren Barker	Performed at: spring 2016 concert
In Munchen Steht ein Hofbrauhaus
Incantation and Dance by John Barnes Chance	Performed at: winter 2015 concert spring 2008 concert
Music from The Incredibles music by Michael Giacchino arranged by Jay Bocook	Performed at: summer 2016 concerts spring 2016 concert winter 2006 concert
Indiana (Way Back Home Again In) by Ballard MacDonald and James F. Hanley arranged by Jerry Nowak	Performed at: summer 2014 concerts spring 2014 concert
Indiana State Band March by O.R. Farrar arranged by Charles J. Roberts
The Inferno (from the "Divine Comedy") composed and arranged by Robert W. Smith	Performed at: winter 2003 concert
Infinite Hope by Brian Balmages (ASCAP)	Performed at: spring 2019 concert
Instant Concert by Harold L. Walters	Performed at: summer 2017 concerts spring 2017 concert summer 2011 concerts
An Irish Party in Third Class arranged by Gaelic Storm adapted by Richard Saucedo	from the Paramount and Twentieth Century Fox Original Motion Picture Soundtrack Back To Titanic
The Italian in Algiers by G. Rossini arranged by Theo. Moses-Tobani arranged for Modern Bands with New Parts by H.R. Kent	Performed at: summer 2018 concerts winter 2018 concert summer 2010 concerts summer 2008 concerts spring 2008 concert summer 1997 concerts
Jack Tar March by John Philip Sousa adapted for concert band by Jerry Nowak	This delightful nautical march was written in 1903. The center section is immediately identifiable as a sailor's or "Jack Tar" hornpipe music. Performed at: summer 2019 concerts summer 2008 concerts summer 2004 concerts summer 2000 concerts
Jamaican Rumba by Arthur Benjamin arranged by Philip J. Lang	Performed at: summer 2013 concerts summer 1999 concerts summer 1997 concerts
James Bond Suite by Monty Norman arranged by Frank Erickson	Performed at: summer 2009 concerts
Jerome Robbins' Broadway arranged by Warren Barker	Jerome Robbins was one of Broadway's most innovative and respected choreographers. Here is a medley of songs representing just a few of the many dance styles he brought to life on the stage: Comedy Tonight (from A Funny Thing Happened on the Way to the Forum), Somewhere (from West Side Story), New York, New York (from On the Town), Sunrise, Sunset (from Fiddler On the Roof), and America (from West Side Story). Performed at: summer 2015 concerts spring 2015 concert summer 2010 concerts spring 2010 concert summer 2001 concerts winter 2001 concert
The Jig Is Up by Daniel Kallman	Performed at: spring 2005 concert
Jimála Beguine by James Burke	Performed at: summer 2003 concerts
John Williams: Fantasy Of Flight by John Williams arranged by Robert W. Smith	Performed at: spring 2005 concert
John Williams: The Symphonic Marches by John Williams arranged by John Higgins orchestrated by Paul Lavender
John Williams: Symphonic Soundtracks by John Williams arranged by John Moss	Performed at: winter 2020 concert summer 2003 concerts winter 2003 concert
Journey Through Orion by Julie Giroux	Performed at: spring 2013 concert
Joyance by Claude T. Smith (ASCAP)	Performed at: summer 2003 concerts
Joyce's 71st New York Regiment March by Thorton Barnes Boyer arranged by James Barnes	Performed at: summer 2013 concerts summer 2009 concerts
Highlights From "Jumbo" by Richard Rodgers and Lorenz Hart arranged by Paul Yoder	Performed at: summer 2017 concerts
Kaiser Parade Marsch by Franz von Blon edited by Charles A. Wiley
Keeping Step With the Union March by John Philip Sousa arranged by Keith Brion	Performed at: summer 2013 concerts winter 2013 concert
King Cotton March by John Philip Sousa arranged by Brion/Schissel	This march was written for the Cotton States and International Exposition of 1895 at a time in America's history when cotton was "king". Sousa and his band had great drawing power at fairs and expositions and were much sought after. But officials of this Exposition in Atlanta attempted to cancel their three week contract with the Sousa Band because of serious financial difficulties. At Sousa's insistence, they honored their contract, and at the first concert they became aware of their shortsightedness. Atlanta newspapers carried rave reviews of the band's performances. The Sousa Band brought the Exposition out of the red and the same officials who had tried to cancel Sousa's engagement pleaded with him to extend it. King Cotton was named the official march of the Exposition. King Cotton was one of Sousa's personal favorites and it has become one of his most popular marches. Sousa liked to make up nonsensical lyrics for the private amusement of children. One of his soprano soloists, Marjorie Moody, copied some of the lyrics and explained that they fit the second strain of the march: The sun was a-shining in the sky. The sky was black and blue. As Barnacle Ben and Jazzy Jen Came down the avenue. And everybody laughed with glee, And whispered, "Is it he or she?" For one of his legs was shorter Than it really ought to be. Performed at: summer 2018 concerts winter 2018 concert summer 2014 concerts summer 2012 concerts summer 2011 concerts summer 2010 concerts summer 2001 concerts winter 2001 concert summer 1998 concerts
King Karl King March by Henry Fillmore edited by Robert E. Foster	Performed at: summer 2008 concerts
Kirkpatrick Fanfare by Andrew Boysen, Jr.	Performed at: summer 2019 concerts summer 2014 concerts
The Klaxon by Henry Fillmore	Performed at: summer 2016 concerts winter 2016 concert summer 2003 concerts
Knightsbridge March by Eric Coates arranged by John Cacavas	Throughout this century, the works of Eric Coates have been a mainstay of England's light concert music field. Knightsbridge March, the famous third movement of his London Suite, has a distinctive background. The Suite had been published for nearly a year when, quite by chance, the March was chosen as the signature tune for the BBC's In Town Tonight radio program. It immediately commanded great attention, and within the first few weeks of the program's debut, 20,000 letters had been received at the Broadcasting House requesting the name of the signature music. Sales of the March mounted with astounding rapidity, record companies were besieged with orders for it, and Mr. Coates's presence was in demand at every conceivable type of entertainment. The March's title is derived from the elegant Knightsbridge section in London where the Royal Guards barracks and stables are situated. In this stunning new arrangement by John Cacavas, the listener is allowed an intimate glimpse of the pomp, pageantry, and color long associated with the scarlet-coated guardsmen of Buckingham Palace. Performed at: summer 2014 concerts spring 2014 concert summer 2003 concerts summer 1998 concerts spring 1998 concert
La Bamba De Vera Cruz "Mexican Dance" by Terig Tucci transcribed for Band by Donald Hunsberger	Performed at: summer 2004 concerts
Lassus Trombone by Henry Fillmore edited by Robert E. Foster	Performed at: summer 2015 concerts spring 2015 concert
Latin Celebration arranged by John Tatgenhorst	Performed at: summer 2018 concerts
Laura by David Raskin arranged by Bill Holcombe	Performed at: summer 2003 concerts
Lemon Merengue by Hugh Stuart	Performed at: summer 2008 concerts summer 2003 concerts
A Leroy Anderson Portrait by Leroy Anderson arranged by James Barnes	Performed at: summer 2014 concerts summer 2009 concerts summer 2005 concerts
Selections From Les Miserables arranged by Warren Barker	Performed at: summer 2016 concerts winter 2016 concert summer 2001 concerts summer 1997 concerts
Lexington Overture for Band by Paul W. Whear	The first battle of the American Revolution was fought on April 19, 1775, in Lexington, Massachusetts. It was a skirmish between British Regular troops, who had marched from Boston, and about seventy American Minutemen. The initial alarm was given by the famous ride of Paul Revere, but it was the bell in the belfry on the town green in Lexington that gave the local alarm as the British approached. The drummer boy William Diamond beat assembly for the minutemen as they formed on the green to stand against the British. No one knows who fired the first shot, but in the end there were eight American dead. This overture was written in commemoration of that battle. It attempts to convey musically the agitation of the times, the approach of the distant British, the defeat of the moment and the faith of the American people in ultimate victory. Performed at: spring 2013 concert spring 2000 concert
The Liberty Bell March by John Philip Sousa arranged by Brion/Schissel	Performed at: summer 2019 concerts summer 2012 concerts summer 2000 concerts
The Liberty Bell by John Philip Sousa arranged by Brion/Schissel	Performed at: winter 2012 concert
Liberty Guiding the People by Masanuri Taruya	Performed at: summer 2018 concerts summer 2009 concerts
Fanfares from the Opera "Libuse" by Bedrich Smetana arranged by Vaclav Nelhybel	Performed at: summer 2014 concerts summer 1997 concerts
Light Cavalry Overture arranged by Henry Fillmore
Lincolnshire Posy
The Lion King Soundtrack Highlights arranged by Calvin Custer	Performed at: summer 2014 concerts
Little Concert Suite by Alfred Reed
Little English Girl (L'Inglesina) Symphonic March by D. Delle Cese	Performed at: summer 2016 concerts summer 2015 concerts summer 2005 concerts summer 2001 concerts
Little Italian Rhapsody by Walter Beeler	Performed at: summer 2015 concerts
Little Mermaid Medley by Alan Menken	Performed at: summer 2016 concerts summer 2007 concerts
Loch Lomond arranged by Sammy Nestico	Performed at: summer 2015 concerts summer 2009 concerts
Loch Lomond For Concert Band by Frank Ticheli	Performed at: winter 2015 concert
Lohengrin Introduction to Third Act by Richard Wagner arranged for Symphonic Band by George Drumm	Performed at: summer 2004 concerts
Looney Tunes Overture arranged by Bill Holcombe	Performed at: summer 2014 concerts summer 2008 concerts spring 2008 concert
The Lords of Greenwich by Robert Sheldon	Performed at: summer 2011 concerts winter 2011 concert
The Mad Major	Performed at: summer 2014 concerts summer 1997 concerts
The Magnificent Seven by Elmer Bernstein arranged by Roy Phillippe	Performed at: summer 2014 concerts
Malaguena	Performed at: summer 2010 concerts summer 2006 concerts summer 1997 concerts
Malaguena music and Spanish lyric by Ernesto Lecuona English lyric by Marian Banks arranged by Sammy Nestico	Performed at: summer 2013 concerts spring 2013 concert
Mambo Jambo	Performed at: summer 2014 concerts summer 2005 concerts
Highlights from Mame music and lyrics by Jerry Herman arranged by John Krance	Performed at: spring 2009 concert
Man Of La Mancha Selection for Band by Frank Erickson lyrics by Joe Darion music by Mitch Leigh	Performed at: summer 2013 concerts summer 2010 concerts summer 2002 concerts spring 2002 concert
Mancini! by Henry Mancini arranged by Stephen Bulla	Performed at: summer 2012 concerts winter 2012 concert
Mancini Magic by Henry Mancini arranged by Jerry Brubaker	Performed at: summer 2004 concerts spring 2004 concert
Mancini Spectacular arranged by Warren Barker	Performed at: summer 2007 concerts spring 2007 concert summer 2002 concerts
Manhattan Beach by John Philip Sousa	Performed at: summer 2016 concerts spring 1999 concert
Mannin Veen "Dear Isle Of Man" A Manx Tone Poem by Haydn Wood	Performed at: winter 2009 concert
A Manx Overture The Isle Of Mountains And Glens by Haydn Wood	Performed at: summer 2007 concerts summer 2002 concerts
The Maple Leaf Forever A Processional for Concert Band by Alexander Muir arranged by Steve Reisteter	Performed at: summer 2014 concerts summer 2013 concerts summer 2011 concerts
March April May by Masao Yabe	Performed at: summer 2018 concerts summer 2010 concerts summer 2004 concerts
March "Blue Sky" by Tohko Takagi	Performed at: summer 2014 concerts summer 2007 concerts
March For Masaryk (Pochod Zupy Masarykovej) by Rudolf Obruca arranged by George P. Foeller
The March From "1941" by John Williams adapted for Band by Paul Lavender	Performed at: summer 2011 concerts spring 2011 concert summer 2004 concerts winter 2004 concert
March "Grandioso" by Roland F. Seitz adapted and arranged for Concert Band by Alfred Reed	Performed at: summer 2014 concerts summer 2003 concerts
March In Counterpoint by Vaclav Nelhybel	Performed at: spring 2009 concert
March "Independentia" by Roland F. Seitz adapted and arranged for Concert Band by Alfred Reed	Performed at: summer 2019 concerts summer 2008 concerts summer 2004 concerts
March Intercollegiate Two-Step by Charles E. Ives	Performed at: summer 2005 concerts
March Of the Imperial Army
March Of the Irish Dragoons arranged by Andrew Balent
March Of the Siamese Children	Performed at: summer 2012 concerts summer 2007 concerts spring 2007 concert summer 1998 concerts
March Of the Steel Men by Charles S. Belsterling scored by Harry L. Alford edited by James Jurrens	Performed at: summer 2009 concerts summer 2006 concerts summer 1999 concerts
March Of the Sun Dried Tomatoes by Julie Giroux	Performed at: winter 2020 concert
March Of the Two Left Feet arranged by Sammy Nestico	Performed at: summer 2010 concerts
March "Onward" "Aufwaerts" by Ernst Luthold arranged by Paul W. Whear	Performed at: summer 2014 concerts summer 2002 concerts winter 2002 concert
March Slav by P.I. Tchaikovsky arranged by Larry Daehn	Performed at: winter 2014 concert
Marche de Provencal by William E. Rhoads	Performed at: summer 2005 concerts summer 2003 concerts summer 2001 concerts summer 2000 concerts
Marche Des Parachutistes Belges by Pierre Leemans arranged by Charles A. Wiley	Performed at: summer 2014 concerts spring 2014 concert summer 2010 concerts spring 2010 concert summer 1999 concerts
Marche Lorraine by Louis Ganne arranged by Franz Mahl edited by Frederick Fennell	This piece stand high among the great regimental marches of the world and towers among those by French masters of the form. Its crisp fanfares contrasting with lyrical woodwind melodies make it a favorite of bands everywhere. Performed at: summer 2018 concerts summer 2006 concerts summer 1999 concerts winter 1999 concert
"Marche Militaire" I by F. Schubert, Op. 51 No. 1 arranged by L.P. Laurendeau
"Marche Militaire" II by F. Schubert, Op. 51 No. 2 arranged by L.P. Laurendeau
Marche Militaire Francaise Finale from Algerian Suite by C. Saint-Saens arranged by M.L. Lake	Performed at: summer 2008 concerts winter 2008 concert
Marching Blues by Hyato Hirose	Performed at: summer 2007 concerts
Marching Down Broadway arranged by Warren Barker	Performed at: summer 2017 concerts summer 2008 concerts summer 2001 concerts
The Marriage of Figaro Overture by W.A. Mozart arranged by Earl Slocum	Performed at: summer 2006 concerts summer 2001 concerts
Martinique (Beguine for Band) by Robert Washburn	Performed at: summer 2010 concerts summer 2001 concerts summer 1999 concerts
Selections from Mary Poppins words and music by Richard M. Sherman and Robert B. Sherman arranged by Ted Ricketts	Performed at: summer 2006 concerts
Masque by W. Francis McBeth	Performed at: winter 2005 concert
Matador by John Cacavas
Die Meistersinger excerpts from the opera by Richard Wagner scored by Eric Osterling	Performed at: summer 2014 concerts summer 2013 concerts summer 2008 concerts summer 2001 concerts spring 2001 concert summer 1998 concerts
Men of Harlech arranged by Robert Farnon	According to Folk Songs of England, Ireland, Scotland and Wales: This famous march celebrates the defiance of the Welsh forces under Dafydd ap Jevan in defending Harlech Castle against the English in 1468. After a stately introduction, one hears the familiar opening strains of this famous tune. Through several key changes and marvelous counter-melodies, the march courses as a mountain road through the Welsh countryside. After the final statement of the melody accompanied by one of the most prominent counter-melodies, one is treated to a rousing and very final coda.
Men Of Ohio by Henry Fillmore	Performed at: summer 2018 concerts summer 2013 concerts summer 2008 concerts summer 2005 concerts summer 2002 concerts
Merry Music For Wind Band by Hidas Frigyes	Hungarian composer Hidas has written a light-hearted and tuneful work for the wind band, using very traditional techniques while combining syncopation with often chamber music-like scoring. He is one of the many outstanding middle European composers contributing wonderful pieces to the wind repertoire.
Midway March by John Williams arranged by James Curnow	Performed at: summer 2008 concerts summer 1999 concerts
Military March In C The Tattoo by Ludwig van Beethoven arranged by Sol Berkowitz
Minuteman (Concert March) by Robert H. Pearson	Performed at: summer 2015 concerts
Minutemen (Concert March) by Gerald McCulloch, Major, Texas ANG arranged by John Short	Performed at: summer 2007 concerts winter 2007 concert
Medley From Miss Saigon music by Claude-Michel Schoenberg lyrics by Richard Maltby Jr. & Alain Boublil adapted from original French lyrics by Alain Boublil arranged by Warren Barker	Performed at: summer 2017 concerts summer 2014 concerts summer 2008 concerts summer 2000 concerts
Mononoke Hime by Hisaishi	Performed at: summer 2007 concerts
Monterey Bay Suite by Arthur P. Barnes	Performed at: summer 2007 concerts spring 2007 concert
Moorside March from "A Moorside Suite" by Gustav Holst arranged by Gordon Jacob	Performed at: summer 2019 concerts
Morceau de Concert by Camille Saint-Saens, Op. 94 transcribed for euphonium and band by Douglas A. Nelson	Morceau de Concert was a title which Saint-Saens used frequently for solo works composed to display the capabilities of various instruments and the virtuosity of his associates. In Opus 94, written in 1893, the horn was the solo instrument. In keeping with the two versions which the celebrated French composer wrote - one for horn with orchestra and the other with piano - this work was transcribed to be played with solo euphonium with either band or piano accompaniment. It is technically demanding for the soloist and requires great musicality and endurance.
Morning, Noon and Night (In Vienna) Overture by F. von Suppe arranged by Henry Fillmore	Performed at: summer 2007 concerts winter 2007 concert
Moray Firth edited by E.K. Shenk	Performed at: summer 2013 concerts
Mr. Dixieland Fronts The Band arranged by Johnny Warrington	Performed at: summer 2004 concerts
Music for a Carnival by Clare Grundman	Performed at: summer 2017 concerts
Music For a Darkened Theatre (The Film Scores Of Danny Elfman) by Danny Elfman arranged by Michael Brown	Performed at: summer 2012 concerts
Selections From The Music Man by Meredith Willson arranged by Philip J. Lang	Performed at: summer 2018 concerts summer 2016 concerts
My Regards by Edward Llewellyn	Performed at: summer 2007 concerts
National Emblem March by E.E. Bagley arranged by Loras Schissel	Performed at: summer 2018 concerts summer 2017 concerts summer 2015 concerts spring 2015 concert summer 2005 concerts summer 2001 concerts summer 1997 concerts
New Comrades (Neue Kameraden) March by Carl Teike edited by Frederick Fennell	Carl Teike is known the world over to aficionados of the march as the composer of the great classic Old Comrades. In both of these marches, the concept of a deliberate and euphonious style, liberally sprinkled throughout with the fanfare resource of soprano brass and laced with arching counter melodies, produces an essay in the German march style that harkens back to another day, when King Friedrich Wilhelm III of Prussia brought a high sense of order to German marches by issuing the following order: In order to assist the regiments of the Army in the choice of good military music, I have commanded a collection of proven musical pieces to be prepared, and a set of them is to be supplied to each regiment. The spirit of the parade ground certainly is in evidence in the performance of this work. Performed at: summer 2014 concerts spring 2000 concert
New Colonial March	Performed at: summer 1998 concerts
New England Suite by Elliot Del Borgo (ASCAP)	Performed at: summer 2004 concerts spring 2004 concert
New York: 1927 by Warren Barker (BMI)	The "Roaring Twenties" were carefree and irresistible times. Fanciful technological developments - like the automobile, radio and sound motion pictures - were in their infancy and contributed to the excitement and jubilance of the day. Post-World War I "return to normalcy" was more of a call to stay out all night and party, for Americans were a people of few cares and great enthusiasms for wing-dings, carousing and mirthful sprees. Peter Finley Dunne's Mr. Dooley philosophized about almost anything from behind the bar at his fictitious pub, and people flocked into movie houses to see - and hear - the first talkie, The Jazz Singer. While conservative Republicans retained control of congress and "Silent Cal" Coolidge occupied the White House, Americans were whooping it up with daffy abandon. It was the time of all-night speakeasies and the glistening new Empire State Building; the New York Yankees "Murderer's Row" and the Algonquin Round Table; of Bessie Smith and Duke Ellington; of Clara Bow and Jimmy Cagney. Men in raccoon coats and baggy pants escorted women in knee-length dresses with feather boas and cloche hats. Fashion was all-important and fads came as quickly as they went, but no one seemed to care - life was just too good to have many cares. New York: 1927 is a musical snapshot of this colorful and merry time. The opening Ragtime depicts its prosperous and carefree spirit. Blues rhapsodizes wistfully and whimsically in roaring twenties fashion. Manhattan Mayhem cleverly creates a typical busy street scene at a midtown intersection, perhaps at Fifth Avenue and Thirty-fourth street, as cars weave in and around, police whistles shriek in attempted jurisdiction, and a barrage of pedestrians scurry onward. Performed at: summer 2013 concerts spring 2013 concert summer 2005 concerts summer 2001 concerts winter 2001 concert
No, No, Nanette Selections for Concert Band music by Vincent Youmans arranged by Robert Russell Bennett	Performed at: summer 2008 concerts summer 2004 concerts
Nobles Of the Mystic Shrine (March) by John Philip Sousa edited by Frederick Fennell	Performed at: summer 2017 concerts spring 2017 concert summer 2013 concerts summer 2006 concerts
"Norma" Overture by V. Bellini arranged by L.P. Laurendeau	Performed at: summer 2016 concerts summer 2015 concerts
North Bay Vistas by Robert W. Smith (ASCAP)	Performed at: winter 2017 concert
North Bridge Portrait by Steph Bulla (ASCAP)	Performed at: summer 2015 concerts spring 2015 concert
North-South College All Stars March by Henry Fillmore edited by Robert E. Foster	Performed at: summer 2008 concerts
Northern Nocturne by Alfred Reed	Performed at: summer 2007 concerts winter 2007 concert
The Nutmeggers (March) by Eric Osterling	The Nutmeggers was the first of several popular marches by Osterling to be published and to catch the fancy of the bandsmen and their audiences. All have a unique, lively, and cheerful sound. The title for this march came from one of the two nicknames of Osterling's home state, Connecticut. The early Connecticut traders were said to have sold wooden nutmegs for real ones. Performed at: summer 2006 concerts summer 2001 concerts summer 1998 concerts spring 1998 concert
October by Eric Whitacre	Performed at: winter 2020 concert
The Officer Candidate March (Fahnenjunker Marsch) by Carl Teike edited by J. R. Watson	Performed at: summer 2007 concerts summer 2002 concerts
The Official West Point March by Philip Egner	This military academy march, written in 1928, consists of songs sung by the cadets at West Point, linked by well-known bugle calls. Included are: On Brave Old Army Team, Alma Mater, The Corps, Recall, West Point Song, Taps, and Dashing White Sergeant.
Oklahoma! (Selection For Concert Band) music by Richard Rodgers words by Oscar Hammerstein II arranged by Eric Leidzen	Performed at: summer 2004 concerts
The Old Grumbly Bear by Julius Fucik arranged by Andrew Glover	Performed at: summer 2008 concerts spring 2008 concert
Old Ironsides March by J. William Middendorf II symphonic band setting by Jay Chattaway	Performed at: summer 2012 concerts summer 2007 concerts winter 2007 concert summer 2003 concerts
Selections from "Oliver!" by Lionel Bart arranged by Norman Leyden	Performed at: summer 2012 concerts summer 2002 concerts spring 2002 concert
Olympia Hippodrome March by R. Alexander	Performed at: summer 2012 concerts summer 2008 concerts summer 2007 concerts
Olympiada music by Samuel R. Hazo	Performed at: summer 2014 concerts winter 2014 concert
On the Greenway by Ed Kimbrough	Performed at: summer 2011 concerts winter 2011 concert
On the Mall March by Edwin Franko Goldman edited by Edward S. Lisk	Performed at: summer 2017 concerts winter 2017 concert summer 2007 concerts summer 2006 concerts summer 2001 concerts
On The Square March by Frank A. Panella arranged by Loras John Schissel (ASCAP)	Performed at: summer 2004 concerts
One Voice words and music by Barry Manilow arranged by Jerry Nowak	Performed at: summer 2019 concerts summer 1998 concerts
Original Dixieland Concerto by John Warrington	Performed at: summer 2014 concerts summer 2012 concerts summer 1999 concerts
An Original Suite For Military Band by Gordon Jacob	Performed at: summer 2019 concerts winter 2019 concert summer 2005 concerts winter 2005 concert summer 2000 concerts
Oro Quemado by William E. Rhoads	Performed at: summer 2018 concerts summer 2008 concerts summer 1998 concerts
Orpheus in the Underworld Overture on Themes from the Operetta by Jacques Offenbach transcribed by Clark McAlister edited by Alfred Reed	Performed at: summer 2007 concerts spring 2007 concert
Our Director by F. E. Bigelow arranged by James Swearingen	Performed at: summer 2011 concerts summer 2010 concerts spring 2010 concert summer 2009 concerts summer 2002 concerts summer 1997 concerts
Overture "1812" by P. Tschaikowsky arranged by Mayhew L. Lake	Performed at: summer 2012 concerts summer 2007 concerts summer 2003 concerts summer 2002 concerts summer 2001 concerts summer 2000 concerts
Overture De Sonora by James D. Ployhar	Performed at: summer 2010 concerts
Overture For Winds by Charles Carter	Performed at: summer 2012 concerts spring 2012 concert
Overture In B flat by Caesar Giovannini scored for Band by Wayne Robinson	Performed at: summer 2019 concerts winter 2019 concert summer 2006 concerts winter 2006 concert
Overture In E flat by Charles Carter	Performed at: summer 2011 concerts winter 2011 concert winter 2004 concert
Pablo! by Richard Meyer	Performed at: summer 2004 concerts spring 2004 concert
Palomar Symphonic March by Robert H. Pearson	Performed at: summer 2011 concerts spring 2011 concert summer 2005 concerts spring 2005 concert
Pas Redouble (Double-Quick Step) by Camille Saint-Saens transcribed for Concert Band by Arthur Frackenpohl	Performed at: summer 2015 concerts
Passacaglia in C Minor music by J.S. Bach transcribed by L.W. Chidester	Performed at: winter 2003 concert
The Pathfinder Of Panama March by John Philip Sousa edited by Frank Byrne	Performed at: summer 2011 concerts summer 2008 concerts summer 2004 concerts summer 2003 concerts
The Patriot music by John Williams arranged by John Moss	This is the main musical theme from the film The Patriot. Performed at: summer 2018 concerts summer 2001 concerts spring 2001 concert
Pavanne from Symphonette No. 2 by Morton Gould	This is one of the rare pieces which was transcribed from the original orchestral version to the band version by the composer himself. Many will recognize this as one of the most popular instrumental tunes of the 1950's. Performed at: summer 2005 concerts winter 2005 concert summer 1998 concerts winter 1998 concert
Peacemaker March by Karl L. King arranged by James Swearingen	Performed at: summer 2016 concerts
Persuasion by Sammy Nestico
Perthshire Majesty by Samuel R. Hazo	Performed at: summer 2011 concerts
Selections From The Phantom Of the Opera music by Andrew Lloyd Webber arranged by Warren Barker	Performed at: summer 2010 concerts spring 2010 concert summer 2004 concerts spring 2004 concert summer 2001 concerts
Pineapple Poll Suite from the Ballet based on the Music of Arthur Sullivan arranged by Charles Mackerras arranged for military band by W. J. Duthoit, A.R.C.M.	Performed at: winter 2012 concert summer 2009 concerts spring 2009 concert summer 1999 concerts spring 1999 concert
Pirates Of The Caribbean (Symphonic Suite) music by Klaus Badelt arranged by John Wasson	Performed at: summer 2019 concerts spring 2019 concert summer 2012 concerts spring 2012 concert summer 2004 concerts spring 2004 concert
Selections from "The Pirates of Penzance" by Arthur Sullivan arranged by John Philip Sousa modern edition by Keith Brion	Performed at: summer 2015 concerts winter 2015 concert
Plymouth Trilogy by Anthony Iannaccone	Overture Reflection Carrousel (Rag) Plymouth Trilogy was commissioned by the Michigan Council of the Arts and Plymouth Arts Council in 1982 for the Plymouth Middle School Band. Plymouth Trilogy is in a lighter vein than most other works by the composer. It is tuneful throughout the course of its three contrasting movements. The Overture is a simple march which presents its melodic material in a fragments before assembling them into a complete theme, heard first as a saxophone solo. Reflection and Carrousel transform thematic material from the Overture to create, respectively, contemplative and carefree (sprightly) movements. The Carrousel, in particular, summarizes the straight-forward tonal and melodic character of the suite.
Poet And Peasant by Fr.v. Suppe arranged by M.C. Meyrelles	Performed at: spring 2003 concert
Polonaise for Piccolo
The Pops Polka by Arthur Fiedler and Jack Mason arranged by Richard Maltby	Performed at: summer 2005 concerts summer 1997 concerts
Porgy and Bess words and music by George Gershwin, Du Bose and Dorothy Heyward and Ira Gershwin arranged by James Barnes	This centennial tribute to George Gershwin is an overture on themes for the America musical masterpiece. Selections include: I Got Plenty o' Nuttin', It Ain't Necessarily So, Summertime, Crab Man, and Bess, You is My Woman Now. Performed at: summer 2012 concerts winter 2012 concert winter 1999 concert
Porgy and Bess Selection music by George Gershwin arranged for Concert Band by Russell Bennett	Performed at: winter 2008 concert
PRELUDE and FUGUE in F minor by Houston Bright	Performed at: winter 2011 concert summer 2004 concerts winter 2004 concert
Prelude and Rondo by David R. Holsinger	Performed at: spring 2006 concert
Prelude, Siciliano and Rondo For Symphonic Band by Malcolm Arnold arranged by John P. Paynter	Performed at: winter 2011 concert
The President's March for Band by Victor Herbert arranged by Ronald J. Dieker	Performed at: summer 2015 concerts summer 2011 concerts summer 2009 concerts summer 2003 concerts
The President's March by Henry Fillmore edited by Robert E. Foster	Performed at: winter 2015 concert
Prestissimo by Karl L. King arranged by James Swearingen	Performed at: summer 2017 concerts
The Pride Of the Wolverines March by John Philip Sousa
Procession of the Nobles
Procession Of the Sardar from "Caucasion Sketches" by Ippolitov-Ivanov arranged by Dale W. Eymann	Performed at: summer 2019 concerts summer 2008 concerts
The Producers the new MEL BROOKS musical music and lyrics by Mel Brooks arranged by Ted Ricketts	Performed at: summer 2016 concerts spring 2016 concert summer 2011 concerts summer 2003 concerts winter 2003 concert
The Purple Carnival March by Harry L. Alford edited and with revisions by Frank Erickson	Performed at: summer 2016 concerts spring 2016 concert summer 2009 concerts summer 2007 concerts summer 2004 concerts spring 2004 concert
Puszta by Jan Van der Roost	Performed at: winter 2019 concert
Radetzky March	Performed at: winter 2009 concert summer 1997 concerts
"Ragged Rozey" by Karl L. King arranged for Concert Band by John Boyd	Performed at: summer 2018 concerts spring 2018 concert summer 2007 concerts summer 2005 concerts spring 2005 concert summer 2002 concerts
Highlights from "Ragtime" by Robert W. Smith	One of Broadway's newest and most lavish productions is based on E. L. Doctorow's novel of the same title. It is heralded as a truly American musical. Smith's medley features the title tune, Ragtime, along with Buffalo Nickel Photoplay, Inc., Sarah Brown Eyes, and Wheels of a Dream.
Raymond (The Queen's Secret) Overture by Ambr. Thomas arranged by V.F. Safranek	Performed at: summer 2019 concerts
Recorded by Sinatra arranged by Warren Barker	The passing of Frank Sinatra was the end of one of the longest and most prolific eras in American popular music. It has been argued that Sinatra almost single-handedly put an end to the big band era. Prior to his arrival, the band was the attraction and the singer merely another member. Frank changed that forever. This arrangement features: High Hopes, Young at Heart, Love is the Tender Trap, Love and Marriage, and My Kind of Town. Performed at: summer 2016 concerts summer 2015 concerts summer 2008 concerts spring 2008 concert summer 1999 concerts winter 1999 concert
The Redwoods by Rossano Galante	Performed at: summer 2016 concerts
Reflective Mood by Sammy Nestico	Performed at: summer 2006 concerts winter 2006 concert summer 2003 concerts
El Relicario Paso Doble by Jose Padilla arranged by Robert Longfield	Performed at: summer 2019 concerts summer 2016 concerts spring 2016 concert summer 2013 concerts summer 2009 concerts summer 1998 concerts
Music from "Rent"
Rhapsody For Flute by Stephen Bulla (ASCAP)	This concert piece for flute soloist and band is divided into three sections. A fast opening theme provides the soloist with a rhythmic melody that evolves into a slower and more expressive middle section. Here too the band has ample opportunity to display a full and warm sensitivity with the music. This section concludes with a brief cadenza for solo flute supported by sustained woodwind harmony. The final section is quick and light-hearted, becoming an energetic finale to this original composition.
Rhosymedre by Ralph Vaughan Williams arranged for band by Walter Beeler	Performed at: summer 2015 concerts winter 2015 concert
Riders For the Flag by John Philip Sousa arranged by Frederick Fennell	Sousa was a devoted horseman, a dedicated rider, hence his musical interest in the colorful cavalry units of the U.S. Army. The galloping figure, the rhythm of massed hooves resulting from the motions of horses on the move presented him with the six-eight patterns that are so compellingly set forth in this wonderful march. Interestingly enough, Sousa's love of horses led him to purchase a beautiful black Arabian steed which he called Aladdin. No magic servant, this horse threw him, wrenching his right shoulder and causing him thence-forwards to adopt a conducting style in which he swung his arm from the elbow rather than the shoulder. Performed at: summer 2012 concerts summer 2007 concerts summer 1999 concerts
Riffin' the Blues by Zane Van Auken
Rings Of Fire by Frank Erickson	Performed at: summer 2011 concerts summer 2001 concerts
Rise And Shine! Concert March for Band by Donald I. Moore	Performed at: summer 2005 concerts
Rise Of The Firebird by Steven Reineke	Performed at: summer 2004 concerts
River of Life by Steve Reineke	Performed at: summer 2010 concerts spring 2010 concert
Riverdance by Bill Whelan arranged by Carl Strommen	Performed at: summer 2007 concerts
Rolipops by Jean-Francois Michel	Performed at: summer 2004 concerts spring 2004 concert
Root Beer Rag music by Billy Joel arranged by Michael Sweeney	Performed at: summer 2013 concerts spring 2013 concert
The Royal Welch Fusiliers March by John Philip Sousa	Performed at: summer 2009 concerts
Russian Christmas Music for Symphonic Band by Alfred Reed
Symphonic Suite from "Return of the Jedi"
Sabre and Spurs March of the American Cavalry by John Philip Sousa arranged by Brion/Schissel	Performed at: summer 2019 concerts winter 2019 concert
Salutation March	Performed at: summer 1998 concerts
Salute To American Jazz arranged by Sammy Nestico	Performed at: summer 2014 concerts winter 2014 concert
Salute to Broadway arranged by Carl Strommen	Performed at: summer 2009 concerts
Salute To the Colors by Bert Anthony and Karl L. King adapted by Andrew Glover	Performed at: winter 2017 concert
Salute To the Patriots by James D. Ployhar (ASCAP)	Performed at: summer 2013 concerts summer 2000 concerts
Salute To Richard Rodgers arranged by Ted Ricketts	Performed at: summer 2003 concerts spring 2003 concert
Satchmo! (A Tribute To Louis Armstrong) arranged by Ted Ricketts
Satiric Dances for a comedy by Aristophanes for Concert Band by Norman Dello Joio	This piece was commissioned in commemoration of the Bicentennial of April 19, 1775 by the Concord Band of Concord, Massachusetts. Its first movement, Allegro pesante, is weighty and intense, often displaying a sinister quality. The second movement, Adagio mesto, is slippery and lyrical, rife with chromatic motion to keep the tonality intentionally ambiguous. In the center section it becomes plaintive and tuneful, then it fades away as it began. The final movement, Allegro spumante, is frenetic and exciting, using the repeated sixteenth notes to set the listeners on the edge of their seats, then delivering an explosion to push them back. Performed at: summer 2017 concerts summer 2012 concerts spring 2012 concert summer 2000 concerts spring 2000 concert
Sax-Soliloquy by David Bennett	Performed at: summer 2016 concerts
Scalawag Novelette For Band by Ferde Grofe	Performed at: summer 2006 concerts spring 2006 concert
Scenes From "The Louvre" based on Ancient Airs by Norman Dello Joio	Performed at: winter 2005 concert
Scootin' On Hardrock Three Short Scat-Jazzy Dances by David R. Holsinger (ASCAP)	Performed at: spring 2019 concert
A Scottish Portrait by James Swearingen	Performed at: summer 2015 concerts winter 2015 concert
Scottish Rhapsody by William E. Rhoads	Performed at: summer 2003 concerts
Sea Songs by R. Vaughan Williams	Performed at: summer 2014 concerts winter 2014 concert
Second Suite for Military Band in F major by Gustav Holst	Performed at: summer 2016 concerts spring 2016 concert summer 2012 concerts winter 2012 concert summer 2003 concerts winter 2003 concert
Seeds of Revolution by Daniel P. Lutz	Performed at: summer 2019 concerts spring 2019 concert winter 2014 concert summer 2013 concerts
Selections from Wicked music and lyrics by Stephen Schwartz arranged by Jay Bocook	Performed at: spring 2018 concert
Semper Fidelis by John Philip Sousa arranged by Brion/Schissel	Performed at: summer 2018 concerts summer 2016 concerts summer 2012 concerts spring 2012 concert summer 2006 concerts summer 2005 concerts summer 1997 concerts
Send in the Clowns by Stephen Sondheim arranged by Jerry Nowak	Performed at: summer 2017 concerts
Serenade (for Wind Band) by Derek Bourgeois	Performed at: winter 2020 concert
Serenade For a Picket Fence composed & arranged by Norman Leyden	Performed at: summer 2013 concerts
Seventy Six Trombones by Meredith Willson arranged by Leroy Anderson	Leroy Anderson, the great Boston Pops composer/arranger, created this version of the classic march from The Music Man for the Pops and it was adapted for the concert band by Jay Bocook. The meter changes and Anderson uses snippets of well known marches as counter-melodies throughout. He features the trombone section extensively, doing lots of trombone stuff near the end of the piece. Anderson was particularly pleased to include the famous piccolo solo from The Stars and Stripes Forever in this arrangement because Meredith Willson served as the piccolo player in the Sousa band for many years. Performed at: summer 2012 concerts summer 2010 concerts winter 2010 concert summer 2007 concerts summer 2002 concerts summer 1998 concerts
Seventy Six Trombones by Meredith Willson arranged by Ted Ricketts	Performed at: summer 2016 concerts summer 2014 concerts summer 2011 concerts
Sgt. Pepper's Lonely Hearts Club Band words and music by John Lennon and Paul McCartney arranged by Will Schaefer	Performed at: summer 2019 concerts
Shades Of Blue A "Blues" Medley for Band paraphrased by Ross Hastings	Performed at: summer 2005 concerts
Shall We Dance? arranged by Akira Miyagawa	Performed at: summer 2005 concerts spring 2001 concert
Sheltering Sky by John Mackey	Performed at: winter 2016 concert
Shenandoah (for Concert Band) by Frank Ticheli	Performed at: summer 2005 concerts spring 2005 concert
Shepherd's Hey	Performed at: summer 1998 concerts
Highlights from "Showboat"
The Silver Quill composed by Dale Harpham and Sammy Nestico arranged by Sammy Nestico	Performed at: summer 2015 concerts summer 2013 concerts summer 2005 concerts winter 2005 concert
Silver Shadow (Concert March) by Alfred Reed edited by Frederick Fennell	Alfred Reed grew up in a musical home in Manhattan; he was well acquainted with most of the standard symphonic and operatic repertoire while still in elementary school. Beginning formal music training at the age of ten, he studied trumpet and was playing professionally while still in high school. Reed became deeply interested in band music while a member of the 529th Army Air Force Band during World War II, producing nearly 100 compositions and arrangements for the band before leaving the service. After the war, he studied with Vittorio Giannini at the Julliard School of Music and in 1948 began composing and arranging radio, television and film music for NBC, and later, ABC. Reed's academic degrees were earned at Baylor University, while he was conductor of the university orchestra, and he has an honorary doctorate from the International Conservatory of Music at Lima, Peru. In 1966, he was appointed to the position of professor of Music at the University of Miami. With over 200 published works, Reed is one of the nation's most prolific and frequently performed composers. Silver Shadow was commissioned by and dedicated to the Kuwana Wind Orchestra for the 25th anniversary of its founding. Performed at: summer 2018 concerts spring 2018 concert summer 2000 concerts winter 2000 concert
Silverado by Bruce Broughton arranged by Randol Bass	Performed at: summer 2011 concerts
Sinatra! arranged by Stephen Bulla	Performed at: summer 2014 concerts spring 2014 concert
Sinatra in Concert	Performed at: summer 1998 concerts
The Sinfonians Symphonic March by Clifton Williams	Performed at: summer 2018 concerts winter 2018 concert summer 2002 concerts winter 2002 concert
Slavonic Dances by Elliot Del Borgo (ASCAP)	Performed at: summer 2018 concerts winter 2018 concert
Sleep by Eric Whitacre	Performed at: summer 2019 concerts winter 2019 concert
Smiling Voices
A Somerset Rhapsody by Gustav Holst transcribed for Symphonic Band by Clare Grundman	This rhapsody was written in 1906 at the request of Cecil Sharp, to whom it is dedicated, and is founded on folk songs collected by Sharp in Somerset. The first is The Shearing Song, a long pastoral melody, followed by a marching song, High Germany ("O Polly, love, O Polly, the rout has now begun and we must march away at the beating of the drum"). The third melody is The Lover's Farewell. The climax of the piece is reached with a reprise of High Germany followed by another tune to the same words. The Farewell is repeated, and as the music becomes quieter, the opening Shearing Song reappears. At one point this is combined with the second Germany tune. As the latter dies away, the piece ends softly as it began. Performed at: winter 2016 concert winter 2009 concert winter 2004 concert winter 1998 concert
Songs For America by Irving Berlin arranged by James Swearingen
Songs of Old Kentucky by Brant Karrick	Performed at: summer 2016 concerts winter 2016 concert summer 2008 concerts spring 2008 concert
Songs Of Sailor and Sea by Robert W. Smith	Songs of Sailor and Sea was commissioned by and dedicated to Lieutenant Commander John R. Pastin and the United States Navy Band. The piece was composed in the late summer and fall of 1996 and was premiered at the Midwest International Band and Orchestra Clinic in December of the same year. This work celebrates man's eternal fascination with the sea and the centuries of seamen who have battled its powerful waves and mysterious depths. The composition is comprised of three settings, reminiscent of the sounds and images one might encounter when sailing the oceans of the world. Following the introduction, the composer has created a Sea Chanty. Chanties, historically speaking, were songs sung by sailors to the rhythm of their movements while working. The composer has combined the chanty with shipboard sounds including the crashing of waves and the raising of the anchor with its massive chain. The second setting is entitled Whale Song. Using a three-note motif actually sung by a humpback whale, the composer has woven together a beautiful melodic line accompanied by the natural sounds of the whale. The percussion have been creatively scored to capture the effect of the whale singing its song of life. The final section of the work is entitled Racing the Yankee Clipper. This is composed in tribute to the American clipper ships which established dominance on the high seas in the early to mid 1800s. These graceful and beautiful vessels established amazing speed records, some of which were not broken until as late as 1989. The exuberance and exhilaration the sailors must have felt when flying these great ships across the seas was the motivating force behind the creation of this setting. Performed at: winter 2012 concert spring 1998 concert
Sonority Concert March by Peter Riedemann	Performed at: summer 2016 concerts summer 2013 concerts summer 2010 concerts summer 2008 concerts summer 2006 concerts summer 2003 concerts
Highlights From Sophisticated Ladies arranged for band by John Cacavas	Performed at: summer 2005 concerts
The Sounds Of Hollywood arranged by John Higgins
The Sound of Music (Selection For Concert Band) words by Oscar Hammerstein II music by Richard Rodgers arranged by Robert Russell Bennett	Performed at: summer 2005 concerts spring 2005 concert summer 2001 concerts spring 2001 concert
Sound Off by John Philip Sousa edited by John R. Bourgeois	Performed at: summer 2012 concerts winter 2006 concert
"Sound Off" March by John Philip Sousa arranged by Keith Brion	Performed at: summer 2016 concerts
Sousa! A Modern Tribute To The World's March King, John Philip Sousa arranged by Warren Barker	Performed at: summer 2011 concerts spring 2011 concert
South Pacific (Symphonic Scenario) lyrics by Oscar Hammerstein II music by Richard Rodgers arranged for orchestra by Robert Russell Bennett adapted for concert band by R. Mark Rogers	When South Pacific opened at the Majestic Theatre in New York on April 7, 1949, the team of Richard Rodgers and Oscar Hammerstein were well established as the most innovative team writing for the Broadway stage. At that time, the streets of America were filled with men who had only a few years before been exposed to the horrors of a World War which had resulted in the greatest loss of life and most incredible barbarity in all of human history. Rodgers and Hammerstein turned to James Michener's non-fiction memoir of the war, Tales of the South Pacific, and drawing upon several different story lines, created a charming musical comedy that brought the human face of the war to the stage while not ignoring the tragedy of the disruption of lives that the war brought about. The musical also broke new ground by pairing one of the most unlikely pairs in history as the main romantic interest, a young American girl from Weatherford, Texas, Mary Martin, and the international opera star Ezio Pinza. The musical won the Pulitzer Prize in 1950, and ran for 1,925 performances. This adaption of the Symphonic Scenario has been faithfully transcribed from the masterful orchestral score that Robert Russell Bennett constructed in 1949. Performed at: spring 2014 concert summer 2008 concerts summer 2000 concerts winter 2000 concert
Spanish Fever by Jay Chattaway	Performed at: summer 2011 concerts
Spanish Holiday
Spirals of Light by Sean O'Loughlin	Performed at: summer 2018 concerts winter 2018 concert summer 2008 concerts winter 2008 concert
Spitfire! by Gary P. Gilroy	Performed at: winter 2012 concert
St. Louis Blues by W.C. Handy arranged by Jerry Nowak	Performed at: spring 2011 concert
Stan Kenton In Concert arranged by Wayne Scott	Performed at: summer 2005 concerts
Star Spangled Spectacular by George M. Cohan arranged by John Cacavas	The music of George M. Cohan has become synonymous with America and the Great White Way of Broadway. This medley includes: Mary's a Grand Old Name, Give My Regards to Broadway, Forty-Five Minutes from Broadway, Yankee Doodle Dandy, and You're a Grand Old Flag. Performed at: summer 2017 concerts summer 2013 concerts summer 1997 concerts
Suite Francaise For Band by Darius Milhaud	Performed at: winter 2013 concert
Sunflower Slow Drag by Scott Joplin and Scott Hayden arranged by John R. Bourgeois	Performed at: summer 2018 concerts summer 2014 concerts spring 2014 concert
A Symphonic Celebration by Robert Sheldon	Performed at: winter 2020 concert
Symphonic Suite from Star Trek by Michael Giacchino, Alexander Courage and Gene Roddenberry arranged by Jay Bocook	Performed at: summer 2010 concerts spring 2010 concert
The Stars and Stripes Forever by John Philip Sousa edited by Keith Brion	Performed at: summer 2019 concerts summer 2018 concerts summer 2017 concerts summer 2016 concerts summer 2015 concerts summer 2014 concerts summer 2013 concerts summer 2012 concerts summer 2011 concerts summer 2010 concerts summer 2009 concerts summer 2008 concerts summer 2007 concerts summer 2006 concerts summer 2005 concerts summer 2004 concerts summer 2003 concerts summer 2002 concerts spring 2002 concert summer 2001 concerts summer 2000 concerts summer 1999 concerts summer 1998 concerts summer 1997 concerts
The Strategic Air Command March by Clifton Williams	Performed at: summer 2018 concerts summer 1998 concerts
Strike Up the Band music and lyrics by George Gershwin and Ira Gershwin arranged by Warren Barker	Performed at: summer 2018 concerts spring 2018 concert summer 2012 concerts spring 2012 concert summer 2007 concerts winter 2007 concert
Suite of Old American Dances by Robert Russell Bennett	This suite, composed in 1950, is an original composition for band in which the composer seeks to set the mood of a Saturday night barn dance with all the gaiety which festivity demands, recalling several of the characteristic dances remembered from childhood. The goal is achieved in a genuine pice of music, not a novelty as one might expect form the setting. Bennett has described the music as "native American dance forms...treated in a 'riot' of instrumentation colors", and the composition is distinguished by superb effectiveness of instrumental writing and facile flow of musical ideas. Performed at: summer 2017 concerts winter 2017 concert summer 2007 concerts spring 2007 concert summer 1998 concerts
Sukiyaki music by Hachidai Nakamura arranged by Masamicz Amano	Performed at: summer 2011 concerts
Summertime from Porgy and Bess by George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin arranged by Calvin Custer	Performed at: summer 2007 concerts spring 2007 concert
Sun Dance by Frank Ticheli	Performed at: summer 2012 concerts spring 2012 concert summer 2005 concerts
Sunburst Concert March for Band by Eric Osterling	Performed at: summer 2008 concerts summer 2004 concerts spring 2004 concert
Swedish Folk Marsch by William E. Rhoads	Performed at: summer 2015 concerts winter 2015 concert summer 2005 concerts summer 2004 concerts
Swing Bolero by Paul Yoder	Performed at: summer 2017 concerts
Swing's the Thing arranged by Warren Barker	Performed at: summer 2017 concerts summer 2016 concerts winter 2016 concert
Swing Low, Sweet Chariot For Concert Band by Steve Rouse	Performed at: summer 2018 concerts summer 2005 concerts winter 2005 concert
Symphonic Dance No. 2 "The Maskers" by Clifton Williams	Performed at: spring 2006 concert
Symphonic Dance No. 3 "Fiesta" by Clifton Williams	Performed at: winter 2016 concert summer 2006 concerts
The Symphonic Gershwin An American In Paris, Cuban Overture and Rhapsody In Blue by George Gershwin arranged by Warren Barker	Performed at: summer 2016 concerts summer 2005 concerts summer 1997 concerts
A Symphonic Prelude based on Black is the Color of My True Love's Hair by Alfred Reed	This authentic American folk song has been traced back to about 1740 in the Tennessee area of the Appalachian mountains. In ten short bars of music and lyrics, an unknown writer of that period captured an entire world of local color and feeling which has captivated listeners ever since. The Symphonic Prelude takes the original melody as the basis for an elaborate chorale prelude, set for the concert winds as a work in its own right, not merely as an arrangement of the tune itself. Performed at: summer 2011 concerts spring 2011 concert summer 1998 concerts winter 1998 concert
Symphonic Suite from Lord of the Rings The Fellowship of the Ring arranged by Victor Lopez	Performed at: summer 2003 concerts
Symphonic Variations On Amazing Grace by Claude T. Smith (ASCAP)	Performed at: spring 2006 concert
Symphony nr. 1 "The Lord of the Rings" I "Gandalf" - The Wizard - by Johan de Meij	Performed at: winter 2012 concert summer 2002 concerts winter 2002 concert
Symphony nr. 1 "The Lord of the Rings" V "Hobbits" by Johan de Meij	Performed at: summer 2015 concerts winter 2013 concert summer 2002 concerts spring 2002 concert
A Symphony Of Sit-Coms arranged by Paul Jennings	Performed at: summer 2016 concerts summer 1999 concerts
Tales From the Vienna Woods Waltz by Johann Strauss arranged by Julius S. Seredy
Tango For Band composed for band by Glenn Osser	Performed at: summer 2017 concerts summer 2009 concerts summer 2002 concerts
Tenth Regiment March	Performed at: summer 1998 concerts
Them Basses A March by G. H. Huffine	Performed at: summer 2009 concerts summer 2004 concerts
Theme and Tirade by Richard L. Saucedo	Performed at: summer 2010 concerts winter 2010 concert
Theme From Angela's Ashes by John Williams arranged by John Moss	John Moss does an excellent job of arranging John Williams's beautiful melodies from the score of the film Angela's Ashes. Performed at: summer 2010 concerts spring 2010 concert winter 2001 concert
Theme From "Schindler's List" composed by John Williams arranged by Calvin Custer	Performed at: summer 2012 concerts spring 2012 concert
Themes From "Green Bushes" Passacaglia on an English Folksong by Percy Aldridge Grainger arranged by Larry D. Daehn	Performed at: summer 2016 concerts spring 2008 concert summer 1999 concerts
Themes Like Old Times arranged by Warren Barker	Themes Like Old Times is a play on words which sets the mood for this lively medley of all-time favorites from the early 1900's. Alexander's Ragtime Band, Peg O' My Heart, I Want a Girl Just Like the Girl That Married Dear Old Dad, By the Light of the Silvery Moon, and 12th Street Rag are the five songs included in this wonderful arrangement by one of today's premier arrangers of music for the concert band. This work was commissioned by the Camden (South Carolina) Community Concert Band, Pat Wylie, director. Performed at: summer 2006 concerts spring 2006 concert summer 1997 concerts
Themes Like Old Times II arranged by Warren Barker	Performed at: summer 2016 concerts summer 2015 concerts spring 2015 concert summer 2008 concerts spring 2008 concert summer 1998 concerts
Themes Like Old Times III arranged by Warren Barker	Performed at: summer 2019 concerts winter 2019 concert summer 2003 concerts spring 2003 concert
Third Suite by Robert E. Jager	March Waltz Rondo The Suite is a tuneful work for band, yet it has built into it certain elements which provide a challenge for the players and conductor, as well as added interest for the listener. In the first movement, for example, the steady feel and rhythm of a march are somewhat distorted by measures of unequal time values. In the waltz the same kind of distortion of time occurs, but now it is the familiar 3/4 measure which receives the treatment. Color and contrast are an added important feature in this movement. Near the end of the waltz, the opening flute theme is repeated and cut short, before the movement closes with a spirited coda. The rondo is in a typical ABACABA form. The mood shifts from major to minor, and soloist are used to contrast the full ensemble sound. The last B section is actually a developmental section incorporating all three themes of the movement. After a loud timpani crash, the final A is heard presto. This builds to a climactic finale based on the five note introduction. Performed at: summer 2018 concerts winter 2018 concert winter 2010 concert summer 1999 concerts winter 1999 concert
A Thousand Winds	Performed at: summer 2010 concerts
Thoughts of Love	Performed at: summer 1998 concerts
Three Irish Dances by James Curnow (ASCAP)	Performed at: summer 2005 concerts
The Three Trumpeters by G. Agostini arranged by Glenn Cliffe Bainum
Thunder and Blazes
The Thunderer March by John Philip Sousa	Performed at: summer 2015 concerts summer 2013 concerts summer 2009 concerts spring 2009 concert summer 2006 concerts spring 2006 concert summer 2003 concerts
Ticonderoga (March) by Leroy Anderson	Performed at: summer 2018 concerts spring 2018 concert summer 2010 concerts winter 2010 concert
Tico-Tico music by Zequinha Abreu arranged by Dick Kent	Performed at: summer 2003 concerts
Ticino March for Concert Band by Pietro Damiani	Performed at: summer 2005 concerts summer 2004 concerts
Tidewater (Concert March) by Eric Osterling (ASCAP)	Performed at: summer 2015 concerts summer 2003 concerts
Titanic	Performed at: summer 1998 concerts
Toboggan Ride by Stan Applebaum	Performed at: winter 2007 concert
Toccata by Girolamo Frescobaldi (1583-1644) arranged for band by Earl Slocum	A toccata is a rhapsodic form of instrumental music. Originally written for the organ, it was essentially a solo piece which was improvised. The name toccata indicates that it was conceived as a touch piece characterized by rhapsodic sections with sustained chords, scale passages, and broken figuration. The present toccata consists of three sections with tempos of slow, fast, and slow. The rhapsodic beginning and closing sections enclose a quick meddle section, featuring French horns, based on a development of a tuneful fanfare motive. The subject is treated antiphonally and is varied continually through the addition of new counter-subjects and accompaniments. The movement concludes with a short, fast coda. Performed at: summer 2016 concerts summer 2015 concerts summer 2010 concerts winter 2010 concert winter 2005 concert summer 1998 concerts spring 1998 concert
Toccata Marziale by R. Vaughan Williams	Performed at: summer 2015 concerts winter 2015 concert winter 2006 concert
Tony Bennett Unplugged arranged by Peter Ippolito	Performed at: summer 2008 concerts
Torch Of Freedom (Concert March) by Warren Barker (BMI)	Performed at: summer 2017 concerts summer 2003 concerts spring 2003 concert
A Touch of Cohan (Concert Miniatures) arranged by Stan Applebaum
A Touch Of Tuba	Performed at: summer 2003 concerts
Transformations by Warren Barker	Performed at: summer 2017 concerts
A Tribute To Harold Arlen arranged by James Kessler	Performed at: summer 2006 concerts spring 2006 concert
Tribute To Irving Berlin music by Irving Berlin arranged by Warren Barker
A Tribute To Judy Garland arranged by Bill Holcombe
A Tribute To Stephen Foster arranged by Sammy Nestico	Stephen Collins Foster was born in Pittsburgh, Pennsylvania, on the 4th of July, 1826. No program of American songs would be complete without the music of this incomparable composer, for he stands among the foremost composers for everyone who treasures the American musical heritage. His songs have spanned the years, and are still sung throughout every section of our great country. His works contain mixed emotions of humor and a fervent expression of sadness that was truly symbolic of his life. A great melodist, he left us a treasury of over 125 songs. It is a collection notable for its musical content, and is filled with the nostalgia associated with our American history. Performed at: summer 2015 concerts spring 2000 concert
Trilogy For Band by Clifton Williams	As the title suggests, this work is in three movements of contrasting moods. It opens with a declamatory fanfare based upon a four-note motive which reoccurs in each movement. Following Declamation, the introduction, Elegy is a quiet, introspective mood, lyrical in nature and employing unusual lower woodwind colorings. Quickstep is a cheerful "hillbilly" march.
Trombonanza by Cofield	Performed at: summer 2013 concerts summer 2010 concerts summer 2007 concerts
The Trombone Rag by John Higgins	Performed at: summer 2019 concerts spring 2019 concert summer 2012 concerts spring 2012 concert
Trombone Section March by W.P. Chambers edited by Harold R. Gore	Performed at: summer 2004 concerts
Trooper's Tribunal by Henry Fillmore edited by Timothy Rhea	Performed at: summer 2010 concerts
Trumpeter's Lullaby by ?	Performed at: winter 2019 concert
The Twelve Gallon Hat by Julie Giroux	Performed at: spring 2018 concert
Under the Double Eagle March by J. F. Wagner	Performed at: summer 2008 concerts spring 2008 concert summer 1999 concerts
Under the Sea lyrics by Howard Ashman music by Alan Menken arranged by Jerry Nowak	from Walt Disney Pictures "The Little Mermaid"
Under The Star Of The Guard by Ernst Stieberitz arranged by J.R. Watson	Performed at: summer 2015 concerts summer 2011 concerts summer 2005 concerts
The Universal Judgment Symphonic Poem by Camille De Nardis arranged by Antonio E. Cafarella	Performed at: summer 2003 concerts winter 2003 concert
Valdres by Johannes Hanssen arranged for Concert Band and Optional Antiphonal Trumpets by Glenn C. Bainum	Performed at: summer 2005 concerts summer 2004 concerts winter 2004 concert summer 2002 concerts summer 1997 concerts
Valencia	Performed at: summer 2010 concerts summer 1998 concerts
The Vanished Army by Kenneth J. Alford	Kenneth Alford is often hailed as the "March King" of Great Britain, and his compositions are known for their original style and melodic content. Written in 1918, this march is dedicated to the first 100,000 men who died in World War I. Not a brilliant march in color, it is rather somber and stirring in a quiet manner, serving as a reminder of those who gave their lives in the fight against tyranny. A portion of It's a Long Way to Tipperary may be heard at the end of the second strain. Performed at: summer 2004 concerts summer 1997 concerts
Variations On an African Hymnsong	Performed at: summer 1998 concerts
Variations On a Korean Folk Song by John Barnes Chance	Performed at: spring 2006 concert
Variations On a Shaker Melody from Appalachian Spring by Aaron Copland	The centennial of Copland's birth was celebrated in November 2000. He is often singled out as the "dean of American music". This set of five variations on the Shaker melody "Simple Gifts" is an excerpt from the composer's score to the ballet Appalachian Spring. The scenario of the ballet is a simple presentation of a Pennsylvania house-warming party in the Appalachian mountains by a Shaker man and his wife in pioneer times. The Variations, which is section seven of the ballet, is subtitled Scenes of Daily Activity for the Bride and her Farmer-Husband.
Vaxuosity Trumpet Solo with Band by Phil Field
Vesuvius For Concert Band by Frank Ticheli	Performed at: spring 2011 concert
Victory At Sea Symphonic Scenario for concert band composed by Richard Rodgers	Performed at: summer 2016 concerts spring 2016 concert summer 2010 concerts winter 2010 concert summer 2002 concerts winter 2002 concert
Vigils Keep by Julie Giroux	Performed at: winter 2013 concert
The Viking March by Karl L. King arranged by Andrew Glover	Performed at: summer 2013 concerts winter 2013 concert
La Virgen de la Macarena arranged by Charles Koff	Performed at: summer 2019 concerts winter 2019 concert
Vista Caribbean by James D. Ployhar (ASCAP)
Viva Musica! (A Concert Overture for Winds) by Alfred Reed	Performed at: winter 2006 concert
Vocaloid by Kurousa arranged by Seiji Miyagawa	Performed at: summer 2018 concerts
Die Wacht am Rhein, Marsch by Franz von Blon edited by Chas. A. Wiley	Performed at: summer 2018 concerts summer 2001 concerts
Die Wachtparade by H.L. Blankenburg Op. 103 edited by J.R. Watson	Performed at: summer 2011 concerts summer 1999 concerts
The Walking Frog Two-step by K.L. King arranged by Robert E. Foster	Performed at: summer 2019 concerts summer 2003 concerts winter 2003 concert
War March and Battle Hymn Of the Vikings
Washington Grays March by Claudio S. Grafulla arranged by G. H. Reeves edited by Tommy J. Fry	Performed at: summer 2016 concerts
Washington Grays March by C. S. Grafulla	Performed at: summer 2009 concerts summer 2004 concerts
Washington Greys March by Claudio S. Grafulla arranged by Loras J. Schissel	Performed at: summer 2015 concerts summer 2013 concerts
The Washington Post March by John Philip Sousa arranged by Brion/Schissel	Performed at: summer 2016 concerts spring 2016 concert summer 2003 concerts spring 2003 concert
Water Music Suite by George Frederick Handel arranged by Hershy Kay	Performed at: summer 2004 concerts
Way down Yonder in New Orleans by Harry Creamer and J. Layton arranged by Jerry Nowak	Performed at: summer 2010 concerts winter 2010 concert
We Are The World by Michael Jackson and Lionel Richie arranged by Mikio Gohma	Performed at: summer 2010 concerts
Welcome To Beijing	Performed at: summer 2003 concerts summer 2000 concerts
West Side Story Selection lyrics by Stephen Sondheim music by Leonard Bernstein arranged for band by W.J. Duthoit	Performed at: summer 2018 concerts spring 2018 concert summer 2011 concerts winter 2011 concert
Westminster Bridge by Elliot A. Del Borgo	Performed at: summer 2004 concerts spring 2004 concert
When I Fall In Love words by Edward Heyman music by Victor Young arranged by Michael Brown
When The Saints Go Marching In arranged by Naohiro Iwai
William Byrd Suite by Gordon Jacob	The Earle of Oxford's March Pavana Jhon come kiss me now The Mayden's Song Wolsey's Wilde The Bells In 1923 Gordon Jacob contributed to the tercentenary of William Byrd's death with a sensitive setting of six pieces from the Fitzwilliam Virginal Book which he entitled Suite: William Byrd. The pieces were selected from the seventy in the book because they seemed appropriate to the tonal framework of the British military band. The first movement is taken from a collection of keyboard pieces which Byrd conceived as a single work titled The Battell. The stately magnificence of this steadily measured music captures the great dignity of distinguished personage. Movement two, slow and sustained with its long, arching lines, contains especially eloquent writing for the winds. Movement three has that harmonic charm and rhythmic vitality that is so much a part of the English madrigal and keyboard style of Byrd's time; it is a set of seven variations on an eight-bar tune. The fourth movement begins simply enough for a unison of brasses, then unfolds its steady contrapuntal and figurative development toward a masterful agglomeration of sounds that Jacob distributes with affectionate regard for the original. Movement five displays the suppleness that Byrd often brought to pieces of limited harmonic possibilities through skillful and imaginative play on that restriction. Jacob adds the element of instrumental texture to point out Byrd's implied dynamic contrasts. The suite concludes with The Bells (Variations on a Ground), in which a simple two-note rising figure persists without interruption and above which is unfolded, in gathering momentum, a set of variations built upon the limited sounds of bells all keyed in B-flat.
William Tell Overture by Gioacchino Antonio Rossini arranged by Erik W. G. Leidzen	Performed at: summer 2005 concerts
Winter Dances by Brian Balmages	Performed at: summer 2015 concerts winter 2015 concert
With Pleasure An Original Rag (Dance Hilarious) by John Philip Sousa edited by Robert E. Foster	Performed at: summer 2007 concerts winter 2007 concert
The Wizard Of Oz words and music by Harold Arlen and E.Y. Harburg arranged for symphonic band by James Barnes	Performed at: summer 2019 concerts
The Woodwind Polka arranged by Andy Clark	Performed at: summer 2004 concerts
"Ye Banks And Braes O Bonnie Doon" Scottish Folk-song by Percy Aldridge Grainger	Performed at: summer 2018 concerts summer 2009 concerts winter 2009 concert summer 2005 concerts
Yorkshire March by Ron Goodwin arranged by Warren Barker	Performed at: summer 2017 concerts
Zueignung (Dedication) by Richard Strauss, Op. 10 No. 1 arranged by Albert Oliver Davis	Performed at: summer 2011 concerts summer 2002 concerts

last modified on Tuesday February 25th 2020 by Jeff Glass